
Details
Artist
Styles
Offset-lithograph on heavy glazed paper - Signed in felt pen - Published by Ives-Sillman, New Haven, Connecticut. // Poster for Nuclear Disarmament by Keith Haring, created in 1982, is a bold offset lithograph that exemplifies the artist's characteristic use of graphic lines and symbols to convey powerful messages. The composition is divided into two sections, with Haring’s iconic figures, including angels and dancing figures, arranged in dynamic poses. The top section features a cloud and a prone figure, surrounded by winged figures, possibly evoking themes of peace or spiritual ascent. The bottom section shows figures encircling a large “X” symbol inside a diamond shape, alongside atomic symbols, alluding to the dangers of nuclear proliferation. The year 1982 is prominently placed, marking the political and social context of the time. Signed in felt pen, this poster is a poignant reflection of Haring’s activism and his commitment to using art as a platform for social change, particularly in advocating for nuclear disarmament.
Poster for Nuclear Disarmament, 1982
form
Medium
Size
61.3 x 45.7 cm
- Inches
- Centimeters
Edition
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- USD
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- GBP
Details
Artist
Styles
Offset-lithograph on heavy glazed paper - Signed in felt pen - Published by Ives-Sillman, New Haven, Connecticut. // Poster for Nuclear Disarmament by Keith Haring, created in 1982, is a bold offset lithograph that exemplifies the artist's characteristic use of graphic lines and symbols to convey powerful messages. The composition is divided into two sections, with Haring’s iconic figures, including angels and dancing figures, arranged in dynamic poses. The top section features a cloud and a prone figure, surrounded by winged figures, possibly evoking themes of peace or spiritual ascent. The bottom section shows figures encircling a large “X” symbol inside a diamond shape, alongside atomic symbols, alluding to the dangers of nuclear proliferation. The year 1982 is prominently placed, marking the political and social context of the time. Signed in felt pen, this poster is a poignant reflection of Haring’s activism and his commitment to using art as a platform for social change, particularly in advocating for nuclear disarmament.
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Keith Haring
Untitled (Plate 16) From The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 - 45,000
Keith Haring
Untitled (Plate 17) From The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 - 45,000
Keith Haring
Three Lithographs: One Plate, 1985
Limited Edition Print
Lithograph
USD 30,000 - 40,000
Keith Haring
The Story Of Red And Blue #5, 1989–90
Limited Edition Print
Screen-print
Inquire For Price
Keith Haring
The Story Of Red And Blue #2, 1989-1990
Limited Edition Print
Screen-print
Inquire For Price
Keith Haring
Poster For Nuclear Disarmament, 1982
Limited Edition Print
Offset Print
Inquire For Price
Keith Haring
Untitled (w/ Sean Kalish) - Set, 1989
Limited Edition Print
Etching
USD 35,000 - 45,000
Keith Haring
New Year's Invitation '88 (Nude) (TP), 1988
Limited Edition Print
Screen-print
USD 8,500
Keith Haring
White Icons (C) - Winged Angel, 1990
Limited Edition Print
Embossing
USD 15,000 - 20,000
Keith Haring
Plate 7 (from The Story Of Red + Blue), 1989
Limited Edition Print
Screen-print
Inquire For Price
Keith Haring
Untitled 1 (from Free South Africa), 1985
Limited Edition Print
Lithograph
Inquire For Price
Keith Haring
Untitled (Free South Africa), 1985
Limited Edition Print
Lithograph
USD 90,000 - 100,000
Keith Haring
White Icons (A) - Radiant Baby, 1990
Limited Edition Print
Embossing
USD 20,000 - 25,000
Keith Haring
Poster For Nuclear Disarmament, 1982
Limited Edition Print
Offset Print
USD 11,000 - 13,000
Keith Haring
Untitled - Scissors (from Pop Shop III), 1989
Limited Edition Print
Screen-print
Currently Not Available
Keith Haring
Untitled (Man On Dolphin), 1987
Limited Edition Print
Lithograph
Currently Not Available
What is Figuration Libre?
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.