Details
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Screenprint on Somerset Satin 410 gsm paper - Signed, dated and numbered in pencil on verso // Julian Opie’s Gary, popstar (1999) exemplifies his distinctive style of portraiture, where minimalism meets pop art. This screenprint on Somerset Satin paper captures a stylized likeness of a pop icon, with bold, clean lines and simplified features. Opie reduces facial details to essential elements—eyes, eyebrows, nose, and mouth—emphasized by the thick black outlines that form the structure of the face. The neutral expression and lack of intricate detail evoke a sense of universality, turning the individual into an icon. Signed, dated, and numbered on the verso, this piece is part of a limited edition of 40. Through Gary, popstar, Opie explores the intersection of identity and anonymity, where the familiar can also be strikingly abstract.
Gary, popstar, 1999
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61 x 51.1 cm
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Details
Artist
Styles
Screenprint on Somerset Satin 410 gsm paper - Signed, dated and numbered in pencil on verso // Julian Opie’s Gary, popstar (1999) exemplifies his distinctive style of portraiture, where minimalism meets pop art. This screenprint on Somerset Satin paper captures a stylized likeness of a pop icon, with bold, clean lines and simplified features. Opie reduces facial details to essential elements—eyes, eyebrows, nose, and mouth—emphasized by the thick black outlines that form the structure of the face. The neutral expression and lack of intricate detail evoke a sense of universality, turning the individual into an icon. Signed, dated, and numbered on the verso, this piece is part of a limited edition of 40. Through Gary, popstar, Opie explores the intersection of identity and anonymity, where the familiar can also be strikingly abstract.
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Elena And Cressie Get Ready For The Party 4, 2011
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Elena And Cressie Get Ready For The Party 1, 2011
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What is new British Sculpture?
New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.
