
Lithograph in colors on wove paper. Hand signed lower right. Published/printed by Maeght/Mourlot, Paris. Reference: Mourlot 1262.
'Untitled, from Joan Miró Lithographs IV' is a lithograph from 1981, hand-signed by Miró and issued from a numbered edition. A dominant black form — part creature, part cosmic body — occupies most of the sheet, its bulk interrupted by bursts of primary colour: a large red disc at the centre, striped bands of blue and green, and sprays of yellow, magenta, and red at the edges. A small eye-like element on the left anchors the figure with Miró's characteristic suggestion of a living presence. The composition is printed on white paper at 30.5 × 25.7 cm, with gestural black passages that retain the textural energy of his mark-making. By 1981, Miró had spent decades refining a visual language that fused Surrealist fantasy with abstract sign-making — the Lithographs IV series belongs to his late printmaking output, when colour lithography had become one of his primary means of extending that language into multiples.
Untitled, from Joan Miró Lithographs IV, 1981
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Lithograph in colors on wove paper. Hand signed lower right. Published/printed by Maeght/Mourlot, Paris. Reference: Mourlot 1262.
'Untitled, from Joan Miró Lithographs IV' is a lithograph from 1981, hand-signed by Miró and issued from a numbered edition. A dominant black form — part creature, part cosmic body — occupies most of the sheet, its bulk interrupted by bursts of primary colour: a large red disc at the centre, striped bands of blue and green, and sprays of yellow, magenta, and red at the edges. A small eye-like element on the left anchors the figure with Miró's characteristic suggestion of a living presence. The composition is printed on white paper at 30.5 × 25.7 cm, with gestural black passages that retain the textural energy of his mark-making. By 1981, Miró had spent decades refining a visual language that fused Surrealist fantasy with abstract sign-making — the Lithographs IV series belongs to his late printmaking output, when colour lithography had become one of his primary means of extending that language into multiples.
Joan Miró
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Limited Edition Print
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Limited Edition Print
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Joan Miró
Untitled, from Joan Miró Lithographs IV, 1981
30.5 x 25.7 cm





















































































































































