
Published by Casino de Knokke-le-zoute; Printed by Arte Adrien Maeght, Paris.
Catalogued in Joan Miró Lithographe IV (1969-1972).
Reference: Mourlot 756.
'Lithographie pour l'Exposition Miró au Casino de Knokke-le-Zoute' by Joan Miró is a lithograph produced in 1971 for the artist's exhibition at the Casino Knokke in Belgium. Bold, looping black lines dominate the cream ground, curling into biomorphic forms that carry clusters of red, blue, green, and yellow — each shape suggesting eyes, limbs, or hybrid creatures without resolving into any. Ink spatters radiate outward from the main figures, and small linear marks punctuate the margins. Miró made the work during a period when printmaking had become central to his practice, and exhibition lithographs of this kind allowed his visual language — rooted equally in Catalan folk tradition, Surrealist automatism, and a personal symbolic vocabulary — to circulate beyond the gallery wall. The hand-signed sheet is from a numbered edition.
Lithographie pour l'Exposition Miró au Casino de Knokke-le-Zoute, 1971
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Published by Casino de Knokke-le-zoute; Printed by Arte Adrien Maeght, Paris.
Catalogued in Joan Miró Lithographe IV (1969-1972).
Reference: Mourlot 756.
'Lithographie pour l'Exposition Miró au Casino de Knokke-le-Zoute' by Joan Miró is a lithograph produced in 1971 for the artist's exhibition at the Casino Knokke in Belgium. Bold, looping black lines dominate the cream ground, curling into biomorphic forms that carry clusters of red, blue, green, and yellow — each shape suggesting eyes, limbs, or hybrid creatures without resolving into any. Ink spatters radiate outward from the main figures, and small linear marks punctuate the margins. Miró made the work during a period when printmaking had become central to his practice, and exhibition lithographs of this kind allowed his visual language — rooted equally in Catalan folk tradition, Surrealist automatism, and a personal symbolic vocabulary — to circulate beyond the gallery wall. The hand-signed sheet is from a numbered edition.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

Joan Miró
Lithographie pour l'Exposition Miró au Casino de Knokke-le-Zoute, 1971
56 x 76 cm





















































































































































