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Two pochoirs printed by Crete, Paris. From the edition of 1000 unsigned prints (aside from the signed, numbered edition of 48). The original bound copy of Cahiers d'Art from which these prints were extracted is included. Published by Cahiers d'Art, Paris. Catalogue raisonne Dupin 14 and 15 Joan Miró’s Cahiers d'Art (Dupin 14–15) (1934) consists of two pochoirs that reflect his early mature style, where abstraction, symbolism, and playful figuration converge. Set against deep black grounds, elongated white forms transform into hybrid figures—part human, part creature—accented by vivid red and blue shapes. The simplified silhouettes and floating elements evoke a dreamlike, almost theatrical space. Published by Cahiers d’Art in Paris in an edition of 1000, with a smaller signed edition of 48, the works originally appeared in the avant-garde journal. Miró’s language here balances spontaneity and control, suggesting narrative without fixing meaning.
Cahiers d'Art (Dupin 14-15), 1934
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Medium
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31.8 x 24.8 cm
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Details
Artist
Styles
Two pochoirs printed by Crete, Paris. From the edition of 1000 unsigned prints (aside from the signed, numbered edition of 48). The original bound copy of Cahiers d'Art from which these prints were extracted is included. Published by Cahiers d'Art, Paris. Catalogue raisonne Dupin 14 and 15 Joan Miró’s Cahiers d'Art (Dupin 14–15) (1934) consists of two pochoirs that reflect his early mature style, where abstraction, symbolism, and playful figuration converge. Set against deep black grounds, elongated white forms transform into hybrid figures—part human, part creature—accented by vivid red and blue shapes. The simplified silhouettes and floating elements evoke a dreamlike, almost theatrical space. Published by Cahiers d’Art in Paris in an edition of 1000, with a smaller signed edition of 48, the works originally appeared in the avant-garde journal. Miró’s language here balances spontaneity and control, suggesting narrative without fixing meaning.
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Limited Edition Print
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Joan Miró
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Limited Edition Print
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Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
