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Lithograph in black and orange on Rives BFK. Hand-signed lower right. Published by Maeght Editeur, Paris. Reference M. 600. Joan Miró’s L’Hypnotiseur (orange) (1969) is a lithograph in black and orange on Rives BFK paper that presents a striking, emblematic figure set against a luminous orange field. The bold black form, with its large circular eye and skeletal, ladder-like structure, suggests a mysterious, almost ritualistic presence. Surrounding splatters and sparse symbols—such as star-like marks and simplified shapes—enhance the sense of spontaneity and psychic energy. Published by Maeght in Paris, the work reflects Miró’s late exploration of pared-down forms and intense color contrasts rooted in his Surrealist visual language.
L'Hypnotiseur (orange), 1969
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Medium
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84.5 x 60.3 cm
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Details
Artist
Styles
Lithograph in black and orange on Rives BFK. Hand-signed lower right. Published by Maeght Editeur, Paris. Reference M. 600. Joan Miró’s L’Hypnotiseur (orange) (1969) is a lithograph in black and orange on Rives BFK paper that presents a striking, emblematic figure set against a luminous orange field. The bold black form, with its large circular eye and skeletal, ladder-like structure, suggests a mysterious, almost ritualistic presence. Surrounding splatters and sparse symbols—such as star-like marks and simplified shapes—enhance the sense of spontaneity and psychic energy. Published by Maeght in Paris, the work reflects Miró’s late exploration of pared-down forms and intense color contrasts rooted in his Surrealist visual language.
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Limited Edition Print
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Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
