Sam Francis

Untitled, 1984

106.7 X 73 inch

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Fontaine Joe Syffert from Eight by Eight

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Roto Zaza No. 1

Jean Tinguely's Chaos I etching from 1973 with intricate mechanical-like lines and geometric forms in a chaotic arrangement.

Etching // Chaos I by Jean Tinguely, created in 1973, is an intricate etching that captures the essence of controlled disorder, characteristic of Tinguely’s fascination with mechanical and kinetic art. The artwork is a dynamic explosion of intersecting lines, circular shapes, and geometric forms that appear to be in perpetual motion. Tinguely uses fine, sketch-like lines to convey a sense of mechanical complexity, as if parts of a machine are disassembled and suspended in space. The composition draws the viewer's eye through its chaotic energy, symbolizing the artist’s commentary on industrialization, technology, and the unpredictable nature of mechanical systems.

Artwork Copyright © Jean Tinguely

Chaos I, 1973

form

Medium

Edition

Etching // Chaos I by Jean Tinguely, created in 1973, is an intricate etching that captures the essence of controlled disorder, characteristic of Tinguely’s fascination with mechanical and kinetic art. The artwork is a dynamic explosion of intersecting lines, circular shapes, and geometric forms that appear to be in perpetual motion. Tinguely uses fine, sketch-like lines to convey a sense of mechanical complexity, as if parts of a machine are disassembled and suspended in space. The composition draws the viewer's eye through its chaotic energy, symbolizing the artist’s commentary on industrialization, technology, and the unpredictable nature of mechanical systems.

Artwork Copyright © Jean Tinguely

Jean Tinguely

Fontaine Joe Syffert From Eight By Eight, 1984

Limited Edition Print

Screen-print

USD 1,300

Jean Tinguely

Chaos I, 1973

Limited Edition Print

Etching

Currently Not Available

Jean Tinguely

Roto Zaza No. 1, 1975

Limited Edition Print

Screen-print

Currently Not Available

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What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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