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Silcscreen on handmade paper. Edition: Galerie am Lindenplatz, Vaduz. WVZ 179 // Heinz Mack's Kleiner Dreiklang (1994) is a limited edition silkscreen print that exemplifies the artist's mastery of light, movement, and color. This work, measuring 100 x 70 cm, is a vibrant exploration of abstract forms and luminous effects, typical of Mack's involvement with the ZERO movement. The piece features a dynamic arrangement of overlapping blue diamond shapes, surrounded by smaller, multicolored geometric accents that add depth and contrast to the composition. The silkscreen technique enhances the texture and intensity of the colors, creating a sense of rhythm and harmony that engages the viewer’s perception of space and movement. Mack’s work often blurs the boundaries between art and optical illusion, and Kleiner Dreiklang is no exception; it draws the eye into a seemingly pulsating, three-dimensional structure, inviting contemplation on the interaction between form, light, and color. This artwork is not only a striking example of Mack's abstract expressionism but also a significant piece reflecting his contributions to contemporary art and the ZERO movement.
Kleiner Dreiklang, 1994
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Details
Artist
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Silcscreen on handmade paper. Edition: Galerie am Lindenplatz, Vaduz. WVZ 179 // Heinz Mack's Kleiner Dreiklang (1994) is a limited edition silkscreen print that exemplifies the artist's mastery of light, movement, and color. This work, measuring 100 x 70 cm, is a vibrant exploration of abstract forms and luminous effects, typical of Mack's involvement with the ZERO movement. The piece features a dynamic arrangement of overlapping blue diamond shapes, surrounded by smaller, multicolored geometric accents that add depth and contrast to the composition. The silkscreen technique enhances the texture and intensity of the colors, creating a sense of rhythm and harmony that engages the viewer’s perception of space and movement. Mack’s work often blurs the boundaries between art and optical illusion, and Kleiner Dreiklang is no exception; it draws the eye into a seemingly pulsating, three-dimensional structure, inviting contemplation on the interaction between form, light, and color. This artwork is not only a striking example of Mack's abstract expressionism but also a significant piece reflecting his contributions to contemporary art and the ZERO movement.
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Heinz Mack
Silberflügel, Roter Fächer, 1973
Limited Edition Print
Screen-print
Currently Not Available
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
