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Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.
Untitled (nails), 1992
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114 x 80 cm
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Details
Artist
Styles
Embossed print hand-painted with acrylic paint on handmade paper - Signed, dated, and numbered // Günther Uecker’s Untitled (nails) (1992) is a limited-edition mixed media artwork that combines his signature use of nails with an embossed print technique. The piece features an intricate pattern of raised, embossed nails arranged in random directions across the handmade paper. Uecker has hand-painted the work with acrylic paint, creating a subtle, monochromatic texture that emphasizes the tactile and physical nature of the nails. The abstract arrangement of the nails evokes a sense of movement and rhythm, characteristic of Uecker’s exploration of materiality and space. The interplay of light and shadow on the embossed surface gives the work a sculptural quality, blurring the boundaries between two-dimensional and three-dimensional art. This piece reflects Uecker’s ongoing interest in themes of tension, structure, and the human impact on the environment.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
