Sam Francis

Untitled, 1984

106.7 X 73 inch

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Günther Uecker Sarajewo 17 screenprint with dense black brushstrokes evoking debris, violence, and abstract emotional trauma

Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 17 (2005) by Günther Uecker is a haunting and visceral screenprint that forms part of a special limited edition accompanying the book Sarajevo 96. Created in the aftermath of the Bosnian War, Uecker’s work here is an abstract meditation on destruction, trauma, and memory. Rendered in stark black strokes on a pale background, the composition consists of a dense accumulation of gestural marks, suggesting shattered forms or strewn debris. The dark, jagged elements overlap in chaotic directions, evoking the violence of conflict and the emotional residue of devastation. While Uecker is renowned for his tactile nail works, this print achieves a similarly intense physicality through two-dimensional mark-making. The expressive energy conveys a sense of urgency and anguish, yet also acts as a quiet tribute to resilience. Published by Hermit Press in Düsseldorf in an edition of 60, each print is hand-signed and numbered, serving as both artwork and a memorial to Sarajevo’s pain and endurance.

Artwork Copyright © Gunther Uecker

Sarajewo 17, 2005

form

Medium

Edition

Published by Hermit Press, Düsseldorf. Special edition to accompany the book "Sarajevo 96" from 2001. Sarajewo 17 (2005) by Günther Uecker is a haunting and visceral screenprint that forms part of a special limited edition accompanying the book Sarajevo 96. Created in the aftermath of the Bosnian War, Uecker’s work here is an abstract meditation on destruction, trauma, and memory. Rendered in stark black strokes on a pale background, the composition consists of a dense accumulation of gestural marks, suggesting shattered forms or strewn debris. The dark, jagged elements overlap in chaotic directions, evoking the violence of conflict and the emotional residue of devastation. While Uecker is renowned for his tactile nail works, this print achieves a similarly intense physicality through two-dimensional mark-making. The expressive energy conveys a sense of urgency and anguish, yet also acts as a quiet tribute to resilience. Published by Hermit Press in Düsseldorf in an edition of 60, each print is hand-signed and numbered, serving as both artwork and a memorial to Sarajevo’s pain and endurance.

Artwork Copyright © Gunther Uecker

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What is kinetic art?

Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.

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Günther Uecker Sarajewo 17 screenprint with dense black brushstrokes evoking debris

Gunther Uecker

Sarajewo 17, 2005

Limited Edition Print

Screen-print

EUR 1,280

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