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Terragraphs (with sand) on canvas mounted on. Hand-signed, numbered. Ouroboros 05 (2018) by Günther Uecker is a terragraph executed on canvas, incorporating sand to give the work both texture and symbolic resonance. The sweeping, circular form—evocative of the ouroboros, an ancient emblem of cyclicality and eternal return—appears as a gestural imprint in earthy brown, suggesting both dynamism and decay. Uecker’s signature approach to materiality is evident in the tactile quality of the terragraph, which invites the viewer to experience the image as both visual and physical presence. This editioned work is limited to 36 hand-signed and numbered pieces.
Ouroboros 05, 2018
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95 x 95 cm
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Details
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Terragraphs (with sand) on canvas mounted on. Hand-signed, numbered. Ouroboros 05 (2018) by Günther Uecker is a terragraph executed on canvas, incorporating sand to give the work both texture and symbolic resonance. The sweeping, circular form—evocative of the ouroboros, an ancient emblem of cyclicality and eternal return—appears as a gestural imprint in earthy brown, suggesting both dynamism and decay. Uecker’s signature approach to materiality is evident in the tactile quality of the terragraph, which invites the viewer to experience the image as both visual and physical presence. This editioned work is limited to 36 hand-signed and numbered pieces.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.