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Offset lithograph on paper. From an open edition. Not signed. Roses (1994/2005) by Gerhard Richter is an offset lithograph that transforms a classic still life subject into a blurred, ethereal image. Featuring a bouquet of roses in a glass vase, the piece is rendered with Richter’s signature squeegee technique, which smears and distorts the composition into abstraction. The floral subject—traditionally associated with beauty and transience—is given a sense of temporality and memory, as if seen through a foggy lens or recalled in a dream. Although based on a photograph, the work blurs the line between photography and painting, echoing Richter's exploration of perception and the passage of time.
Roses, 1994 / 2005
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Medium
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62.9 x 62.9 cm
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Details
Artist
Styles
Offset lithograph on paper. From an open edition. Not signed. Roses (1994/2005) by Gerhard Richter is an offset lithograph that transforms a classic still life subject into a blurred, ethereal image. Featuring a bouquet of roses in a glass vase, the piece is rendered with Richter’s signature squeegee technique, which smears and distorts the composition into abstraction. The floral subject—traditionally associated with beauty and transience—is given a sense of temporality and memory, as if seen through a foggy lens or recalled in a dream. Although based on a photograph, the work blurs the line between photography and painting, echoing Richter's exploration of perception and the passage of time.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
