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Alu-Dibond with Diasec Offset of abstract painting (1977) by Gerhard Richter is a Diasec-mounted offset print on Alu-Dibond, measuring 56 × 81 cm. This work exemplifies Richter's exploration of abstraction through photographic reproduction. Blurred transitions between rich amber, teal, and crimson hues suggest movement and depth, while fragments of light and shape float within an atmospheric, almost cinematic space. The abstract forms resist fixed interpretation, inviting viewers to engage with color and gesture alone. The glossy surface produced by the Diasec finish intensifies the print’s luminous quality, heightening its immersive effect.
Offset of abstract painting, 1977
form
Medium
Size
56 x 81 cm
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Details
Artist
Styles
Alu-Dibond with Diasec Offset of abstract painting (1977) by Gerhard Richter is a Diasec-mounted offset print on Alu-Dibond, measuring 56 × 81 cm. This work exemplifies Richter's exploration of abstraction through photographic reproduction. Blurred transitions between rich amber, teal, and crimson hues suggest movement and depth, while fragments of light and shape float within an atmospheric, almost cinematic space. The abstract forms resist fixed interpretation, inviting viewers to engage with color and gesture alone. The glossy surface produced by the Diasec finish intensifies the print’s luminous quality, heightening its immersive effect.
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Gerhard Richter
Abstraktes Bild, 1982 (Werk 503), 1982/2025
Limited Edition Print
Mixed Media
EUR 1,880
Gerhard Richter
Offset Of Abstract Painting, 1977
Limited Edition Print
Mixed Media
GBP 12,000 - 17,000
Gerhard Richter
Seestück (bewölkt), 1969/2022
Limited Edition Print
Digital Print On Paper
GBP 4,600
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
