Sam Francis

Untitled, 1984

106.7 X 73 inch

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Gerhard Richter Offset of abstract painting print with blurred amber, teal, and red shapes in soft, layered color gradients.

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Alu-Dibond with Diasec Offset of abstract painting (1977) by Gerhard Richter is a Diasec-mounted offset print on Alu-Dibond, measuring 56 × 81 cm. This work exemplifies Richter's exploration of abstraction through photographic reproduction. Blurred transitions between rich amber, teal, and crimson hues suggest movement and depth, while fragments of light and shape float within an atmospheric, almost cinematic space. The abstract forms resist fixed interpretation, inviting viewers to engage with color and gesture alone. The glossy surface produced by the Diasec finish intensifies the print’s luminous quality, heightening its immersive effect.

Artwork Copyright © Gerhard Richter

Gerhard Richter

Offset of abstract painting, 1977

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56 x 81   cm
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Details

Artist

Styles

Alu-Dibond with Diasec Offset of abstract painting (1977) by Gerhard Richter is a Diasec-mounted offset print on Alu-Dibond, measuring 56 × 81 cm. This work exemplifies Richter's exploration of abstraction through photographic reproduction. Blurred transitions between rich amber, teal, and crimson hues suggest movement and depth, while fragments of light and shape float within an atmospheric, almost cinematic space. The abstract forms resist fixed interpretation, inviting viewers to engage with color and gesture alone. The glossy surface produced by the Diasec finish intensifies the print’s luminous quality, heightening its immersive effect.

Artwork Copyright © Gerhard Richter
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Gerhard Richter IBM offset lithograph with abstract layers of green, red, and purple forming organic shapes on white background.

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IBM (G.EL.2, 18.1.1984), 1987

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Gerhard Richter Mother With Child offset lithograph showing blurred grayscale image of woman holding child.

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Gerhard Richter Abstraktes Bild 563-1 hybrid print with layered green, yellow, blue and red strokes in a dynamic abstract composition.

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Gerhard Richter Abstraktes Bild 522-3 hybrid print with layered strokes of yellow, green, red and blue in bold abstract composition.

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Gerhard Richter MV. 20 overpainted photo with abstract black and white lacquer partially obscuring urban background

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Gerhard Richter Elizabeth 1 offset lithograph showing blurred grayscale portrait of Queen Elizabeth II in soft focus.

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Gerhard Richter Bridge 14 FEB 45 offset print of aerial WWII photo showing Remagen bridge over Rhine River in monochrome detail.

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Gerhard Richter Offset of abstract painting print with blurred amber, teal, and red shapes in soft, layered color gradients.

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Gerhard Richter Seascape screenprint showing expansive ocean under textured clouded sky in soft blue-gray monochrome tones.

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Gerhard Richter Heiner Friedrich offset print of a blurred male face in red, yellow, blue tones, evoking a faded photographic memory.

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Gerhard Richter Self-portrait offset print of a sculpted head on a post, centered in a dark space, evoking fragmented identity.

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Gerhard Richter Picture 'Ship' offset print of blurred warship in soft brown and grey tones, evoking ambiguity and memory.

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Gerhard Richter Bouquet chromogenic print with blurred red, green, and orange smears suggesting abstracted floral forms.

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Gerhard Richter’s Seestück (bewölkt), 2022 limited edition digital print of the sea under a cloudy sky in monochromatic tones.

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Gerhard Richter’s Tiger, 2022 limited edition grayscale offset print of a blurred tiger in motion, emphasizing speed and abstraction.

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Gerhard Richter's Seestucke (Sea View), offset print, depicting a serene ocean view with soft waves and horizon.

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Wolke (Cloud), 2021

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Gerhard Richter's Ulrike Meinhof, black-and-white pigment print portrait of the German revolutionary with a serious, introspective expression.

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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