Details
Artist
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Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper. - Not signed // Motorboot by Gerhard Richter is a limited edition offset print, created in 1965 and reproduced in 2022. The artwork captures a blurred, dynamic moment of four figures enjoying a boat ride, rendered in Richter's signature photo-realist style. The figures appear carefree, caught in motion as the boat speeds through the water, creating soft waves in the background. This artwork blends a sense of nostalgia with modern techniques, as the scene is both intimate and abstract, showing how Richter plays with photographic imagery to create emotional resonance.
Motorboot, 1965/2022
form
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70 x 60 cm
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Price
- USD
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Details
Artist
Styles
Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper. - Not signed // Motorboot by Gerhard Richter is a limited edition offset print, created in 1965 and reproduced in 2022. The artwork captures a blurred, dynamic moment of four figures enjoying a boat ride, rendered in Richter's signature photo-realist style. The figures appear carefree, caught in motion as the boat speeds through the water, creating soft waves in the background. This artwork blends a sense of nostalgia with modern techniques, as the scene is both intimate and abstract, showing how Richter plays with photographic imagery to create emotional resonance.
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Limited Edition Print
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Limited Edition Print
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
