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Diasec-mounted Giclée print on aluminium composite panel - Numbered and stamped by the publisher on the label label (verso) // Cage: P19-3 by Gerhard Richter is a 2020 limited edition Diasec-mounted Giclée print on an aluminum composite panel, measuring 100 x 100 cm. Known for his versatile techniques, Richter often merges painting and photography, as seen in this abstract piece. The title likely references John Cage, an avant-garde composer whose influence is reflected in the work’s experimental nature. The textured layers of gray and subtle splashes of color create a complex surface, evoking a sense of depth and movement. This print exemplifies Richter's fascination with abstraction, perception, and the interplay of structured chaos.
Cage: P19-3, 2020
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100 x 100 cm
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Details
Artist
Styles
Diasec-mounted Giclée print on aluminium composite panel - Numbered and stamped by the publisher on the label label (verso) // Cage: P19-3 by Gerhard Richter is a 2020 limited edition Diasec-mounted Giclée print on an aluminum composite panel, measuring 100 x 100 cm. Known for his versatile techniques, Richter often merges painting and photography, as seen in this abstract piece. The title likely references John Cage, an avant-garde composer whose influence is reflected in the work’s experimental nature. The textured layers of gray and subtle splashes of color create a complex surface, evoking a sense of depth and movement. This print exemplifies Richter's fascination with abstraction, perception, and the interplay of structured chaos.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
