Sam Francis

Untitled, 1984

106.7 X 73 inch

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Juno, 1983 (Werk 528)

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Abstraktes Bild

Gerhard Richter Abstraktes Bild hybrid print with layered yellow, green, red, and blue textures scraped into bold abstract forms

Hybrid print on 260g Rives paper. Published by Daco-Verlag. Stamped on verso, numbered on COA. Abstraktes Bild, 1982 (Werk 503) by Gerhard Richter is a hybrid print reinterpreting a 1982 painting, newly published in 2025 in an edition of 500. Printed on 260g Rives paper and measuring 100 × 70?cm, the work features layered smears, scratches, and textured gestures in vivid yellows, greens, reds, and blues. Richter’s use of the squeegee and palette knife techniques creates dynamic surfaces where abstraction becomes a record of movement and resistance. Published by Daco-Verlag, the print reflects Richter’s ongoing investigation into color, form, and chance within the framework of controlled spontaneity.

Artwork Copyright © Gerhard Richter

Abstraktes Bild, 1982 (Werk 503), 1982/2025

form

Medium

Edition

Hybrid print on 260g Rives paper. Published by Daco-Verlag. Stamped on verso, numbered on COA. Abstraktes Bild, 1982 (Werk 503) by Gerhard Richter is a hybrid print reinterpreting a 1982 painting, newly published in 2025 in an edition of 500. Printed on 260g Rives paper and measuring 100 × 70?cm, the work features layered smears, scratches, and textured gestures in vivid yellows, greens, reds, and blues. Richter’s use of the squeegee and palette knife techniques creates dynamic surfaces where abstraction becomes a record of movement and resistance. Published by Daco-Verlag, the print reflects Richter’s ongoing investigation into color, form, and chance within the framework of controlled spontaneity.

Artwork Copyright © Gerhard Richter

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What is Nouveau Realism?

Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

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