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Collage on paper // Mic-Mac, danseus mecanique by Enrico Baj, created in 2001, is a limited edition collage that exhibits the artist's playful and whimsical approach to art. Measuring 50 x 40 cm, the artwork features a mechanical figure, assembled from shapes resembling the pieces of a construction kit or toy. The figure appears to be in motion, striking a dynamic, dance-like pose. The collage employs bright colors, such as red, yellow, green, and black, to create contrast against the metallic grey framework that forms the figure’s body. Baj’s use of geometric shapes and vibrant colors reflects his fascination with mechanized forms and his satirical take on automation and the modern world. The artwork’s lively, animated style invites viewers to engage with its humorous and inventive visual language.
Mic-Mac, danseus mecanique, 2001
form
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50 x 40 cm
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Details
Artist
Styles
Collage on paper // Mic-Mac, danseus mecanique by Enrico Baj, created in 2001, is a limited edition collage that exhibits the artist's playful and whimsical approach to art. Measuring 50 x 40 cm, the artwork features a mechanical figure, assembled from shapes resembling the pieces of a construction kit or toy. The figure appears to be in motion, striking a dynamic, dance-like pose. The collage employs bright colors, such as red, yellow, green, and black, to create contrast against the metallic grey framework that forms the figure’s body. Baj’s use of geometric shapes and vibrant colors reflects his fascination with mechanized forms and his satirical take on automation and the modern world. The artwork’s lively, animated style invites viewers to engage with its humorous and inventive visual language.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is Art Brut?
Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.
