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// Incontri ravvicinati by Enrico Baj, created in 1986, is an etching that illustrates a fantastical and surreal gathering of anthropomorphic figures and monstrous forms. The artwork's vibrant red background contrasts sharply with the green and dark hues that compose the figures, giving the scene a lively yet eerie atmosphere. Baj's signature style is evident in the exaggerated, almost grotesque, features of each character, blending humor with a sense of the uncanny. The piece showcases Baj's fascination with the absurd, as these bizarre entities interact in an otherworldly environment that seems both chaotic and strangely harmonious.
Incontri ravvicinati, 1986
form
Medium
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130 x 180 cm
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- Centimeters
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Details
Artist
Styles
// Incontri ravvicinati by Enrico Baj, created in 1986, is an etching that illustrates a fantastical and surreal gathering of anthropomorphic figures and monstrous forms. The artwork's vibrant red background contrasts sharply with the green and dark hues that compose the figures, giving the scene a lively yet eerie atmosphere. Baj's signature style is evident in the exaggerated, almost grotesque, features of each character, blending humor with a sense of the uncanny. The piece showcases Baj's fascination with the absurd, as these bizarre entities interact in an otherworldly environment that seems both chaotic and strangely harmonious.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
