Details
Artist
Styles
Celluloide multiple // Enrico Baj's Cravatte (1967) is a playful mixed media print that features two oversized neckties contrasted against a dark background. One tie is vibrantly multicolored with swirling abstract patterns, while the other is a solid gold hue, both rendered in celluloid, giving the piece texture and depth. Above the ties, a checkered green and white bowtie with a red cross completes the composition. Baj's use of bold colors and exaggerated forms brings humor and absurdity to a traditionally formal accessory, reflecting his tendency to satirize societal norms and conventions.
Cravatte, 1967
form
Medium
Size
50 x 28 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Celluloide multiple // Enrico Baj's Cravatte (1967) is a playful mixed media print that features two oversized neckties contrasted against a dark background. One tie is vibrantly multicolored with swirling abstract patterns, while the other is a solid gold hue, both rendered in celluloid, giving the piece texture and depth. Above the ties, a checkered green and white bowtie with a red cross completes the composition. Baj's use of bold colors and exaggerated forms brings humor and absurdity to a traditionally formal accessory, reflecting his tendency to satirize societal norms and conventions.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.
