Woodcut prints on Japanese Echizen Kozo paper.
Signed and numbered to verso.
Printed by Tadashi Toda and published by Creative Works Editions, Kyoto.
Reference: Schellmann 265/266.
'Untitled (Schellmann 265/266)' by Donald Judd is a woodcut comprising two stacked compositions printed in black and yellow. Each panel presents the same four-by-three grid of white lines, within which a large rectangle occupies the centre — black against yellow in the upper image, yellow against black in the lower. The two panels are colour inversions of each other, a logical reversal that gives the sheet its primary tension. Judd, who rejected the minimalist label despite building a practice around industrial materials and serial geometry, extended that same interest in system and repetition into his graphic work. This woodcut, made in 1992–93, belongs to a late body of prints that applied the visual language of his three-dimensional work — fixed intervals, flat colour, no hierarchy — to the printed sheet.
Donald Judd (USA, 1928–1994) was a pivotal figure in Minimalist art. Renowned for his geometric sculptures and installations, he emphasized industrial materials like steel, aluminum, and Plexiglas. Judd's work focused on spatial relationships and simplicity, rejecting traditional representation. His legacy includes the Chinati Foundation, preserving his vision in Marfa, Texas.
Untitled (Schellmann 265/266), 1992-1993
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Woodcut prints on Japanese Echizen Kozo paper.
Signed and numbered to verso.
Printed by Tadashi Toda and published by Creative Works Editions, Kyoto.
Reference: Schellmann 265/266.
'Untitled (Schellmann 265/266)' by Donald Judd is a woodcut comprising two stacked compositions printed in black and yellow. Each panel presents the same four-by-three grid of white lines, within which a large rectangle occupies the centre — black against yellow in the upper image, yellow against black in the lower. The two panels are colour inversions of each other, a logical reversal that gives the sheet its primary tension. Judd, who rejected the minimalist label despite building a practice around industrial materials and serial geometry, extended that same interest in system and repetition into his graphic work. This woodcut, made in 1992–93, belongs to a late body of prints that applied the visual language of his three-dimensional work — fixed intervals, flat colour, no hierarchy — to the printed sheet.
Donald Judd (USA, 1928–1994) was a pivotal figure in Minimalist art. Renowned for his geometric sculptures and installations, he emphasized industrial materials like steel, aluminum, and Plexiglas. Judd's work focused on spatial relationships and simplicity, rejecting traditional representation. His legacy includes the Chinati Foundation, preserving his vision in Marfa, Texas.
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