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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 4 (1978–79) by Donald Judd continues the artist’s rigorous exploration of minimalist form. This aquatint features two sets of parallel black bars enclosed within a shared skewed rectangular boundary. The visual rhythm is methodical, with the lower ends of the bars forming a mirrored U-shape pattern, introducing subtle complexity within strict repetition. Published by Styria Studio, this work reflects Judd’s philosophy of art as object—precise, impersonal, and focused on structure over expression.
A Group of 4 Aquatints 4, 1978-79
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101.3 x 74.6 cm
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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 4 (1978–79) by Donald Judd continues the artist’s rigorous exploration of minimalist form. This aquatint features two sets of parallel black bars enclosed within a shared skewed rectangular boundary. The visual rhythm is methodical, with the lower ends of the bars forming a mirrored U-shape pattern, introducing subtle complexity within strict repetition. Published by Styria Studio, this work reflects Judd’s philosophy of art as object—precise, impersonal, and focused on structure over expression.
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Donald Judd
A Group Of 4 Aquatints 1, 1978-79
Limited Edition Print
Aquatint
Currently Not Available
What is Systems Art?
Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.
