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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 4 (1978–79) by Donald Judd continues the artist’s rigorous exploration of minimalist form. This aquatint features two sets of parallel black bars enclosed within a shared skewed rectangular boundary. The visual rhythm is methodical, with the lower ends of the bars forming a mirrored U-shape pattern, introducing subtle complexity within strict repetition. Published by Styria Studio, this work reflects Judd’s philosophy of art as object—precise, impersonal, and focused on structure over expression.
A Group of 4 Aquatints 4, 1978-79
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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 4 (1978–79) by Donald Judd continues the artist’s rigorous exploration of minimalist form. This aquatint features two sets of parallel black bars enclosed within a shared skewed rectangular boundary. The visual rhythm is methodical, with the lower ends of the bars forming a mirrored U-shape pattern, introducing subtle complexity within strict repetition. Published by Styria Studio, this work reflects Judd’s philosophy of art as object—precise, impersonal, and focused on structure over expression.
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Donald Judd
A Group Of 4 Aquatints 1, 1978-79
Limited Edition Print
Aquatint
Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
