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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 1 (1978–79) by Donald Judd exemplifies the artist’s strict adherence to minimalism through pure geometric form and repetition. This aquatint presents a sequence of vertical black bars arranged in a slightly skewed parallelogram, emphasizing spatial rhythm and precision. The image, devoid of representational content, embodies Judd’s belief in the objecthood of art—artworks as autonomous entities. Published by Styria Studio, this piece is part of a significant suite that showcases Judd's commitment to form, clarity, and seriality.
A Group of 4 Aquatints 1, 1978-79
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101.3 x 74.6 cm
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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 1 (1978–79) by Donald Judd exemplifies the artist’s strict adherence to minimalism through pure geometric form and repetition. This aquatint presents a sequence of vertical black bars arranged in a slightly skewed parallelogram, emphasizing spatial rhythm and precision. The image, devoid of representational content, embodies Judd’s belief in the objecthood of art—artworks as autonomous entities. Published by Styria Studio, this piece is part of a significant suite that showcases Judd's commitment to form, clarity, and seriality.
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Donald Judd
A Group Of 4 Aquatints 1, 1978-79
Limited Edition Print
Aquatint
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
