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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 1 (1978–79) by Donald Judd exemplifies the artist’s strict adherence to minimalism through pure geometric form and repetition. This aquatint presents a sequence of vertical black bars arranged in a slightly skewed parallelogram, emphasizing spatial rhythm and precision. The image, devoid of representational content, embodies Judd’s belief in the objecthood of art—artworks as autonomous entities. Published by Styria Studio, this piece is part of a significant suite that showcases Judd's commitment to form, clarity, and seriality.
A Group of 4 Aquatints 1, 1978-79
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101.3 x 74.6 cm
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Artist
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Literature: Schellman 92-96 Published by the artist, with the blindstamp of the printer, Styria Studio, New York, with full margins. P 35 1/4 x 24 5/8in (89.5 x 62.5cm) Sheet 39 7/8 x 29 3/8in (101.3 x 74.6cm). A Group of 4 Aquatints 1 (1978–79) by Donald Judd exemplifies the artist’s strict adherence to minimalism through pure geometric form and repetition. This aquatint presents a sequence of vertical black bars arranged in a slightly skewed parallelogram, emphasizing spatial rhythm and precision. The image, devoid of representational content, embodies Judd’s belief in the objecthood of art—artworks as autonomous entities. Published by Styria Studio, this piece is part of a significant suite that showcases Judd's commitment to form, clarity, and seriality.
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Donald Judd
A Group Of 4 Aquatints 1, 1978-79
Limited Edition Print
Aquatint
Currently Not Available
What is Systems Art?
Systems Art refers to a group of artists who, during the late 1960s and early 1970s, used the frameworks of conceptualism and minimalism to create art that was responsive to its environment. Rejecting traditional art themes, they embraced aesthetic systems and experimented with diverse media. Systems Art often connected with contemporary political movements of the time, emphasizing the interrelationship between the artwork, its context, and the broader social and political environment.
