
Details
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Screenprint in red and black, on wove paper, with full margins. - Signed and numbered on front; // Carmen Herrera's Rojo y Negro (Red and Black) (1993) is a striking screenprint that embodies her minimalist and geometric abstraction style. The composition features bold, angular blocks of red and black, creating a dynamic interplay of shape and color. The red segment diagonally cuts through the black background, forming a sharp contrast that emphasizes balance and precision. Printed on wove paper with full margins, the simplicity of the design captures Herrera’s exploration of form and her mastery in creating tension and harmony through minimal elements. The piece is signed and numbered by the artist, highlighting its status as part of a limited edition series. Rojo y Negro exemplifies Herrera’s commitment to the purity of abstraction and her ability to convey depth and movement within a restrained visual vocabulary.
Rojo y Negro (Red and Black), 1993
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55.7 x 48 cm
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Details
Artist
Styles
Screenprint in red and black, on wove paper, with full margins. - Signed and numbered on front; // Carmen Herrera's Rojo y Negro (Red and Black) (1993) is a striking screenprint that embodies her minimalist and geometric abstraction style. The composition features bold, angular blocks of red and black, creating a dynamic interplay of shape and color. The red segment diagonally cuts through the black background, forming a sharp contrast that emphasizes balance and precision. Printed on wove paper with full margins, the simplicity of the design captures Herrera’s exploration of form and her mastery in creating tension and harmony through minimal elements. The piece is signed and numbered by the artist, highlighting its status as part of a limited edition series. Rojo y Negro exemplifies Herrera’s commitment to the purity of abstraction and her ability to convey depth and movement within a restrained visual vocabulary.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.