
Details
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Screenprint in red and black, on wove paper, with full margins. - Signed and numbered on front; // Carmen Herrera's Rojo y Negro (Red and Black) (1993) is a striking screenprint that embodies her minimalist and geometric abstraction style. The composition features bold, angular blocks of red and black, creating a dynamic interplay of shape and color. The red segment diagonally cuts through the black background, forming a sharp contrast that emphasizes balance and precision. Printed on wove paper with full margins, the simplicity of the design captures Herrera’s exploration of form and her mastery in creating tension and harmony through minimal elements. The piece is signed and numbered by the artist, highlighting its status as part of a limited edition series. Rojo y Negro exemplifies Herrera’s commitment to the purity of abstraction and her ability to convey depth and movement within a restrained visual vocabulary.
Rojo y Negro (Red and Black), 1993
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55.7 x 48 cm
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Details
Artist
Styles
Screenprint in red and black, on wove paper, with full margins. - Signed and numbered on front; // Carmen Herrera's Rojo y Negro (Red and Black) (1993) is a striking screenprint that embodies her minimalist and geometric abstraction style. The composition features bold, angular blocks of red and black, creating a dynamic interplay of shape and color. The red segment diagonally cuts through the black background, forming a sharp contrast that emphasizes balance and precision. Printed on wove paper with full margins, the simplicity of the design captures Herrera’s exploration of form and her mastery in creating tension and harmony through minimal elements. The piece is signed and numbered by the artist, highlighting its status as part of a limited edition series. Rojo y Negro exemplifies Herrera’s commitment to the purity of abstraction and her ability to convey depth and movement within a restrained visual vocabulary.
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What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.