Sam Francis

Untitled, 1984

106.7 X 73 inch

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Vase (2) (Kusama 167)

Yayoi Kusama Pumpkin White T screenprint showing white dotted pumpkin on black net-patterned background, signed and dated 1992.

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Signed, titled, dated and numbered on front. Pumpkin (White T) (Kusama 149) by Yayoi Kusama is a 1992 screenprint measuring 83.5 × 70.5 cm, from an edition of 120. This work features one of Kusama’s most iconic motifs—a large, stylized pumpkin rendered in intricate white dots against a black background. The patterning creates a visual rhythm that evokes both organic growth and psychological intensity. The dense field of net-like shapes surrounding the pumpkin enhances the sense of depth and immersion. Signed, titled, dated, and numbered on the front, this print exemplifies Kusama's lifelong fascination with repetition, form, and the comforting symbolism of the pumpkin.

Artwork Copyright © Yayoi Kusama

Yayoi Kusama

Pumpkin (White T) (Kusama 149), 1992

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83.5 x 70.5   cm
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Details

Artist

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Signed, titled, dated and numbered on front. Pumpkin (White T) (Kusama 149) by Yayoi Kusama is a 1992 screenprint measuring 83.5 × 70.5 cm, from an edition of 120. This work features one of Kusama’s most iconic motifs—a large, stylized pumpkin rendered in intricate white dots against a black background. The patterning creates a visual rhythm that evokes both organic growth and psychological intensity. The dense field of net-like shapes surrounding the pumpkin enhances the sense of depth and immersion. Signed, titled, dated, and numbered on the front, this print exemplifies Kusama's lifelong fascination with repetition, form, and the comforting symbolism of the pumpkin.

Artwork Copyright © Yayoi Kusama
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Limited Edition Print

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Currently Not Available

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What is Art Brut?
Artwork by Jean Dubuffet

What is Art Brut?

Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.

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