Sam Francis

Untitled, 1984

106.7 X 73 inch

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Night Sky 1 ( Reversed )

Vija CELMINS | Comet | Minimalist starfield print with dense white dots on black background and faint streak suggesting a comet.

From Skowhegan Suite. Linocut, on Fabriano Tiepolo paper. Signed and numbered. Image: 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm). Sheet: 20 1/2 x 22 3/4 in. (52.1 x 57.8 cm). Published by The Skowhegan School of Painting and Sculpture, Maine, with Oberon Press, New York blindstamp. Literature: Samantha Rippner p. 52 Comet (1992) by Vija Celmins is a linocut that reflects the artist’s long-standing fascination with natural phenomena such as night skies, oceans, and desert surfaces. Known for her meticulous and meditative approach, Celmins creates images that appear both observational and abstract. The composition presents a vast, dark field filled with countless small, carefully rendered points of light, evoking a star-filled night sky. Subtly embedded within this field is a faint streak—a comet—barely distinguishable from the surrounding stars. This understated presence invites close, sustained viewing, encouraging the viewer to slow down and engage with the work’s quiet complexity. Celmins avoids dramatic contrast or narrative emphasis, instead focusing on repetition, detail, and surface. The image resists a clear focal point, creating a sense of infinite space and stillness. The viewer is drawn into a contemplative experience, where perception becomes gradual and immersive.

Artwork Copyright © Vija Celmins

Comet, 1992

form

Medium

Edition

From Skowhegan Suite. Linocut, on Fabriano Tiepolo paper. Signed and numbered. Image: 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm). Sheet: 20 1/2 x 22 3/4 in. (52.1 x 57.8 cm). Published by The Skowhegan School of Painting and Sculpture, Maine, with Oberon Press, New York blindstamp. Literature: Samantha Rippner p. 52 Comet (1992) by Vija Celmins is a linocut that reflects the artist’s long-standing fascination with natural phenomena such as night skies, oceans, and desert surfaces. Known for her meticulous and meditative approach, Celmins creates images that appear both observational and abstract. The composition presents a vast, dark field filled with countless small, carefully rendered points of light, evoking a star-filled night sky. Subtly embedded within this field is a faint streak—a comet—barely distinguishable from the surrounding stars. This understated presence invites close, sustained viewing, encouraging the viewer to slow down and engage with the work’s quiet complexity. Celmins avoids dramatic contrast or narrative emphasis, instead focusing on repetition, detail, and surface. The image resists a clear focal point, creating a sense of infinite space and stillness. The viewer is drawn into a contemplative experience, where perception becomes gradual and immersive.

Artwork Copyright © Vija Celmins

Vija Celmins

Comet, 1992

Limited Edition Print

Linocut

USD 32,500

Vija Celmins

Night Sky 1 ( Reversed ), 2002

Limited Edition Print

Mixed Media

USD 21,900

Vija Celmins

Spider-web, 2009

Limited Edition Print

Screen-print

USD 5,750

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What is minimalism?

Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.

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