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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
Zebra Ceramique, 1977
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35 x 31 cm
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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
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What is constructivism?
Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.
