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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
Zebra Ceramique, 1977
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35 x 31 cm
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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
