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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
Zebra Ceramique, 1977
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From Rosenthal Studio : edition '77. Numbered and signed in the plate at the verso. // Zebra Ceramique by Victor Vasarely, created in 1977, is a ceramic sculpture that epitomizes the artist’s mastery of optical illusion through geometric design. This piece features a mesmerizing black-and-white pattern that forms the abstract image of two zebras’ heads intertwined, a recurring motif in Vasarely’s exploration of Op Art. The curved lines and alternating black and white stripes create a dynamic sense of movement, as if the forms are pulsating or shifting depending on the viewer's angle. The sculpture challenges perception, inviting viewers to engage with the interplay between shape and line. Measuring 35 x 31 cm, Zebra Ceramique exemplifies Vasarely’s ability to transform simple patterns into complex visual experiences, reinforcing his legacy as a pioneer in Op Art. This piece is part of a limited edition of 3,000, produced by Rosenthal Studio.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
