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Screenprint on Plexiglass multiples. Published by Denise Rene, Paris. Signed in black ink on label affixed to frame. Omega 25 Blanc (1965) by Victor Vasarely is a compelling exploration of optical perception, rendered in screenprint on Plexiglass. Known as the father of Op Art, Vasarely crafts a mesmerizing visual experience through a precise arrangement of geometric patterns in varying shades of white. The overlapping grids and subtle tonal variations create an illusion of depth and shifting movement, engaging the viewer in an almost hypnotic encounter. Published by Denise René in Paris as part of a limited edition, this work reflects Vasarely’s lifelong inquiry into visual dynamics and the science of optics, offering a minimalist yet complex study of form and perception.
Omega 25 Blanc, 1965
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Medium
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30.5 x 29.8 X 5 cm
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Details
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Screenprint on Plexiglass multiples. Published by Denise Rene, Paris. Signed in black ink on label affixed to frame. Omega 25 Blanc (1965) by Victor Vasarely is a compelling exploration of optical perception, rendered in screenprint on Plexiglass. Known as the father of Op Art, Vasarely crafts a mesmerizing visual experience through a precise arrangement of geometric patterns in varying shades of white. The overlapping grids and subtle tonal variations create an illusion of depth and shifting movement, engaging the viewer in an almost hypnotic encounter. Published by Denise René in Paris as part of a limited edition, this work reflects Vasarely’s lifelong inquiry into visual dynamics and the science of optics, offering a minimalist yet complex study of form and perception.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.