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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
Gordes Tridim, 1971
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72 x 62 cm
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From the Gordes portfolio. Screenprint on white cardboard, signed and numbered in pencil. Sheet: 72 x 62 cm Image: 63 x 56 cm Published by Fondation Vasarely Gordes. Printed by Arcay. Reference : Benavides 167 Gordes Tridim (1971) by Victor Vasarely is a striking screenprint that exemplifies the artist's pioneering work in optical and kinetic art. Part of the Gordes portfolio, the composition features an isometric cube-like structure rendered in a vibrant grid of diamond-shaped modules in varying hues of blue, red, green, violet, and orange. The spatial illusion is intensified by Vasarely’s precise manipulation of color and geometry, creating the sensation of a three-dimensional form emerging from a flat surface. The work plays with perception, depth, and visual instability, hallmarks of Vasarely’s artistic language. This print, produced on white cardboard and signed and numbered in pencil, reflects Vasarely’s deep interest in systems, structures, and the viewer’s optical engagement. Published in an edition of 250 by the Fondation Vasarely in Gordes and printed by Arcay, the piece is a textbook example of Vasarely’s exploration of geometric abstraction as a dynamic visual experience.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
