Sam Francis

Untitled, 1984

106.7 X 73 inch

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Tracey Emin's Just Waiting, 2022, lithograph with loose blue and black lines depicting a reclining figure in a contemplative posture.

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Artist

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3 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered, dated and titled on the front // Tracey Emin’s Just Waiting is an evocative lithograph, rendered in a limited palette of blue and black hues. The image depicts a loosely sketched figure lying in what appears to be a bed or perhaps a bathtub, with delicate, expressive lines that capture a sense of vulnerability and contemplation. The soft, fluid brushstrokes and minimal details allow the viewer to focus on the emotional resonance of the scene rather than the specific physicality of the figure. Emin’s characteristic raw and honest approach to representing the human form, particularly in moments of solitude or introspection, is evident in this piece. The title Just Waiting suggests a moment of stillness, a pause in time where emotions linger. Signed, numbered, dated, and titled on the front, this lithograph on Somerset Velvet Warm White paper reflects Emin’s exploration of human fragility, memory, and personal experience.

Artwork Copyright © Tracey Emin

Tracey Emin

Just Waiting, 2022

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65 x 84   cm
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Details

Artist

Styles

3 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered, dated and titled on the front // Tracey Emin’s Just Waiting is an evocative lithograph, rendered in a limited palette of blue and black hues. The image depicts a loosely sketched figure lying in what appears to be a bed or perhaps a bathtub, with delicate, expressive lines that capture a sense of vulnerability and contemplation. The soft, fluid brushstrokes and minimal details allow the viewer to focus on the emotional resonance of the scene rather than the specific physicality of the figure. Emin’s characteristic raw and honest approach to representing the human form, particularly in moments of solitude or introspection, is evident in this piece. The title Just Waiting suggests a moment of stillness, a pause in time where emotions linger. Signed, numbered, dated, and titled on the front, this lithograph on Somerset Velvet Warm White paper reflects Emin’s exploration of human fragility, memory, and personal experience.

Artwork Copyright © Tracey Emin
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Tracey Emin's If I Could Just Go Back & Start Again, offset lithograph, delicate nude female figure drawn with sparse lines.

Tracey Emin

If I Could Just Go Back & Start Again, 2005

Limited Edition Print

Offset Print

GBP 4,600

Tracey Emin’s My Favourite Little Bird, offset print, features a blue neon-like bird perched on a branch against a black background.

Tracey Emin

My Favourite Little Bird, 2010

Limited Edition Print

Offset Print

GBP 4,650

Tracey Emin's You Loved Me Like A Distant Star, digital print with neon-like heart and handwritten text in pink and green against a black background.

Tracey Emin

You Loved Me Like A Distant Star, 2016

Limited Edition Print

Digital Print On Paper

GBP 4,800

Tracey Emin’s Love Is What You Want, 2011 neon print of a heart and handwritten text, signed in silver ink.

Tracey Emin

Love Is What You Want, 2011

Limited Edition Print

Mixed Media

GBP 5,500

Tracey Emin’s On My Knees, 2021 lithograph, expressive sketch of a contorted figure in minimalist black lines on warm white paper.

Tracey Emin

On My Knees, 2021

Limited Edition Print

Lithograph

GBP 9,500

Tracey Emin’s The Best Conversation I Ever Had – Laughter, 2022 lithograph, minimal black strokes form an abstract figure in contemplative pose.

Tracey Emin

The Best Conversation I Ever Had – Laughter, 2022

Limited Edition Print

Lithograph

EUR 12,000

Tracey Emin’s No! This is Sad, 2022 lithograph, abstract figure sketched in expressive dark strokes on a light background.

Tracey Emin

No! This Is Sad, 2022

Limited Edition Print

Lithograph

EUR 15,000

Tracey Emin’s Crying – Shouting – Screaming – Was Not Going to Help Me Live, 2022 lithograph, abstract figure in expressive black strokes, distressed pose.

Tracey Emin

Crying – Shouting – Screaming – Was Not Going To Help Me Live, 2022

Limited Edition Print

Lithograph

EUR 14,000

Tracey Emin’s A Feeling of Shock, 2022 lithograph. Abstract female figure with expressive dark strokes, somber and contemplative mood.

Tracey Emin

A Feeling Of Shock, 2022

Limited Edition Print

Lithograph

EUR 10,000

Tracey Emin’s You Were There – Thank You, 2021 lithograph. Abstract female figure with dark expressive lines, melancholic and introspective.

Tracey Emin

You Were There - Thank You, 2021

Limited Edition Print

Lithograph

EUR 9,000

Tracey Emin’s And This Was Me A Thousand Years Ago, 2022 lithograph. Abstract figure with expressive dark strokes, introspective and reflective mood.

Tracey Emin

And This Was Me A Thousand Years Ago, 2022

Limited Edition Print

Lithograph

EUR 12,000

Tracey Emin’s Life Will Never Be The Same (Nor Should It), 2022 lithograph. Abstract figure enclosed by dark, expressive strokes, introspective mood.

Tracey Emin

Life Will Never Be The Same (Nor Should It), 2022

Limited Edition Print

Lithograph

EUR 18,000

Tracey Emin’s These Feelings Were True II, 2020 lithograph. Abstract portrait in expressive dark strokes, suggesting emotional depth and introspection.

Tracey Emin

These Feelings Were True II, 2020

Limited Edition Print

Lithograph

EUR 14,000

Tracey Emin’s These Feelings Were True, 2020 lithograph. Abstract portrait framed by soft blue background and expressive black lines.

Tracey Emin

These Feelings Were True, 2020

Limited Edition Print

Lithograph

EUR 16,000

Tracey Emin’s After the Shadow, 2020 lithograph. Abstract figure with face half-obscured by dark blue strokes, exploring light and shadow.

Tracey Emin

After The Shadow, 2020

Limited Edition Print

Lithograph

EUR 14,000

Tracey Emin’s A Journey To Death (Set of 10) features loosely sketched dark blue and black figures and faces on white backgrounds, exploring existential themes.

Tracey Emin

A Journey To Death (Set Of 10), 2022

Limited Edition Print

Lithograph

EUR 120,000

Tracey Emin But Yea offset lithograph; white neon-like lines forming female figure with glowing handwritten text But Yea on dark background.

Tracey Emin

But Yea, 2015

Limited Edition Print

Offset Print

USD 2,600

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a woman kneeling next to a cat with a starburst overhead.

Tracey Emin

Nativity Series (cat), 2013

Limited Edition Print

Giclée Printing

GBP 900

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a kneeling woman holding a small stool on a neutral background.

Tracey Emin

Nativity Series (kneeling), 2013

Limited Edition Print

Giclée Printing

GBP 950

Tracey Emin's Closed, etching, two figures seated behind a table with text THE ROOM IS CLOSED underneath.

Tracey Emin

Closed, 2013

Limited Edition Print

Etching

GBP 3,900

Tracey Emin’s The Sex Series (2013), set of 5 giclée prints, minimalist line drawings of figures in sexual poses.

Tracey Emin

The Sex Series (set Of 5), 2013

Limited Edition Print

Giclée Printing

GBP 6,850

Tracey Emin's The Kiss Was Beautiful, digital print, neon-like pink heart with blue handwritten text on a black background.

Tracey Emin

The Kiss Was Beautiful, 2012

Limited Edition Print

Digital Print On Paper

GBP 4,800

Tracey Emin's Wanting You (Green and Blue), mixed media, features an embroidered heart and the phrase Wanting You on a cotton napkin.

Tracey Emin

Wanting You (Green And Blue), 2014

Tapestry

Mixed Media

GBP 6,000 - 10,000

Tracey Emin's The Kiss, polymer gravure etching, showing a minimalist drawing of two figures kissing, with text below.

Tracey Emin

The Kiss, 2011

Limited Edition Print

Etching

GBP 3,500

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Who are the Young British Artists - YBA
Artwork by Damien Hirst

Who are the Young British Artists - YBA

Young British Artists (YBAs), also known as Britart or Brit artists, refers to a group of artists who began exhibiting together in London in 1988. Most of them graduated from the BA Fine Arts course at Goldsmiths in the late 1980s. The YBAs are known for their wild lifestyles, use of unconventional materials, and a combination of entrepreneurial and oppositional attitudes. They dominated the British art scene in the 1990s and gained significant media attention. Many of these artists were initially supported and collected by Charles Saatchi, a key figure in their rise to prominence.

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