Sam Francis

Untitled, 1984

106.7 X 73 inch

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Tracey Emin's Just Waiting, 2022, lithograph with loose blue and black lines depicting a reclining figure in a contemplative posture.

Details

Kunstenaar

Stijlen

3 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered, dated and titled on the front // Tracey Emin’s Just Waiting is een ontroerende lithografie, uitgevoerd in een beperkt palet van blauwe en zwarte tinten. Het beeld toont een losjes geschetste figuur die lijkt te liggen in een bed of misschien een bad, met delicate, expressieve lijnen die een gevoel van kwetsbaarheid en contemplatie vastleggen. De zachte, vloeiende penseelstreken en minimale details zorgen ervoor dat de toeschouwer zich richt op de emotionele weerklank van de scène in plaats van op de fysieke details van de figuur. Emin’s karakteristieke rauwe en eerlijke benadering van het weergeven van het menselijk lichaam, vooral in momenten van eenzaamheid of introspectie, is duidelijk aanwezig in dit stuk. De titel Just Waiting suggereert een moment van stilte, een pauze in de tijd waarin emoties blijven hangen. Gesigneerd, genummerd, gedateerd en getiteld aan de voorkant, weerspiegelt deze lithografie op Somerset Velvet Warm White papier Emin’s verkenning van menselijke kwetsbaarheid, herinnering en persoonlijke ervaring.

Artwork Copyright © Tracey Emin

Tracey Emin

Just Waiting, 2022

kunstvorm

Medium

Afmeting

65 x 84   cm
  • Inches
  • Centimeters

Editie

Bereik

  • USD
  • EUR
  • GBP

Details

Kunstenaar

Stijlen

3 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered, dated and titled on the front // Tracey Emin’s Just Waiting is een ontroerende lithografie, uitgevoerd in een beperkt palet van blauwe en zwarte tinten. Het beeld toont een losjes geschetste figuur die lijkt te liggen in een bed of misschien een bad, met delicate, expressieve lijnen die een gevoel van kwetsbaarheid en contemplatie vastleggen. De zachte, vloeiende penseelstreken en minimale details zorgen ervoor dat de toeschouwer zich richt op de emotionele weerklank van de scène in plaats van op de fysieke details van de figuur. Emin’s karakteristieke rauwe en eerlijke benadering van het weergeven van het menselijk lichaam, vooral in momenten van eenzaamheid of introspectie, is duidelijk aanwezig in dit stuk. De titel Just Waiting suggereert een moment van stilte, een pauze in de tijd waarin emoties blijven hangen. Gesigneerd, genummerd, gedateerd en getiteld aan de voorkant, weerspiegelt deze lithografie op Somerset Velvet Warm White papier Emin’s verkenning van menselijke kwetsbaarheid, herinnering en persoonlijke ervaring.

Artwork Copyright © Tracey Emin
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Tracey Emin's If I Could Just Go Back & Start Again, offset lithograph, delicate nude female figure drawn with sparse lines.

Tracey Emin

If I Could Just Go Back & Start Again, 2005

Editie / Print

Offset Printen

GBP 4,600

Tracey Emin’s My Favourite Little Bird, offset print, features a blue neon-like bird perched on a branch against a black background.

Tracey Emin

My Favourite Little Bird, 2010

Editie / Print

Offset Printen

GBP 4,650

Tracey Emin's You Loved Me Like A Distant Star, digital print with neon-like heart and handwritten text in pink and green against a black background.

Tracey Emin

You Loved Me Like A Distant Star, 2016

Editie / Print

Digital Print Op Papier

GBP 4,800

Tracey Emin’s Love Is What You Want, 2011 neon print of a heart and handwritten text, signed in silver ink.

Tracey Emin

Love Is What You Want, 2011

Editie / Print

Gemengde Techniek.

GBP 5,500

Tracey Emin’s On My Knees, 2021 lithograph, expressive sketch of a contorted figure in minimalist black lines on warm white paper.

Tracey Emin

On My Knees, 2021

Editie / Print

Lithografie

GBP 9,500

Tracey Emin’s The Best Conversation I Ever Had – Laughter, 2022 lithograph, minimal black strokes form an abstract figure in contemplative pose.

Tracey Emin

The Best Conversation I Ever Had – Laughter, 2022

Editie / Print

Lithografie

EUR 12,000

Tracey Emin’s No! This is Sad, 2022 lithograph, abstract figure sketched in expressive dark strokes on a light background.

Tracey Emin

No! This Is Sad, 2022

Editie / Print

Lithografie

EUR 15,000

Tracey Emin’s Crying – Shouting – Screaming – Was Not Going to Help Me Live, 2022 lithograph, abstract figure in expressive black strokes, distressed pose.

Tracey Emin

Crying – Shouting – Screaming – Was Not Going To Help Me Live, 2022

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s A Feeling of Shock, 2022 lithograph. Abstract female figure with expressive dark strokes, somber and contemplative mood.

Tracey Emin

A Feeling Of Shock, 2022

Editie / Print

Lithografie

EUR 10,000

Tracey Emin’s You Were There – Thank You, 2021 lithograph. Abstract female figure with dark expressive lines, melancholic and introspective.

Tracey Emin

You Were There - Thank You, 2021

Editie / Print

Lithografie

EUR 9,000

Tracey Emin’s And This Was Me A Thousand Years Ago, 2022 lithograph. Abstract figure with expressive dark strokes, introspective and reflective mood.

Tracey Emin

And This Was Me A Thousand Years Ago, 2022

Editie / Print

Lithografie

EUR 12,000

Tracey Emin’s Life Will Never Be The Same (Nor Should It), 2022 lithograph. Abstract figure enclosed by dark, expressive strokes, introspective mood.

Tracey Emin

Life Will Never Be The Same (Nor Should It), 2022

Editie / Print

Lithografie

EUR 18,000

Tracey Emin’s These Feelings Were True II, 2020 lithograph. Abstract portrait in expressive dark strokes, suggesting emotional depth and introspection.

Tracey Emin

These Feelings Were True II, 2020

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s These Feelings Were True, 2020 lithograph. Abstract portrait framed by soft blue background and expressive black lines.

Tracey Emin

These Feelings Were True, 2020

Editie / Print

Lithografie

EUR 16,000

Tracey Emin’s After the Shadow, 2020 lithograph. Abstract figure with face half-obscured by dark blue strokes, exploring light and shadow.

Tracey Emin

After The Shadow, 2020

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s A Journey To Death (Set of 10) features loosely sketched dark blue and black figures and faces on white backgrounds, exploring existential themes.

Tracey Emin

A Journey To Death (Set Of 10), 2022

Editie / Print

Lithografie

Contacteer Ons

Tracey Emin But Yea offset lithograph; white neon-like lines forming female figure with glowing handwritten text But Yea on dark background.

Tracey Emin

But Yea, 2015

Editie / Print

Offset Printen

USD 2,600

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a woman kneeling next to a cat with a starburst overhead.

Tracey Emin

Nativity Series (cat), 2013

Editie / Print

Giclée Print

GBP 900

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a kneeling woman holding a small stool on a neutral background.

Tracey Emin

Nativity Series (kneeling), 2013

Editie / Print

Giclée Print

GBP 950

Tracey Emin's Closed, etching, two figures seated behind a table with text THE ROOM IS CLOSED underneath.

Tracey Emin

Closed, 2013

Editie / Print

Ets

GBP 3,900

Tracey Emin’s The Sex Series (2013), set of 5 giclée prints, minimalist line drawings of figures in sexual poses.

Tracey Emin

The Sex Series (set Of 5), 2013

Editie / Print

Giclée Print

GBP 6,850

Tracey Emin's The Kiss Was Beautiful, digital print, neon-like pink heart with blue handwritten text on a black background.

Tracey Emin

The Kiss Was Beautiful, 2012

Editie / Print

Digital Print Op Papier

GBP 4,800

Tracey Emin's The Kiss, polymer gravure etching, showing a minimalist drawing of two figures kissing, with text below.

Tracey Emin

The Kiss, 2011

Editie / Print

Ets

GBP 3,500

Tracey Emin's I Kiss You (Kentish Town), a C-print photo of a dry-cleaner's storefront with a neon sign reading I Kiss You.

Tracey Emin

I Kiss You (Kentish Town), 2015

Foto

C-Print

GBP 4,400

Tracey Emin's The Beginning of Me, three-color screen print on cotton fabric depicting a reclining nude figure in minimalist blue lines.

Tracey Emin

The Beginning Of Me, 2012

Editie / Print

Zeefdruk

GBP 4,250

Tracey Emin's Over And Out, 2020, lithograph, black expressive lines form a pensive face on a white background.

Tracey Emin

Over And Out, 2020

Editie / Print

Lithografie

GBP 7,000 - 10,000

Tracey Emin's Me - May 2019, 2020, lithograph, black and blue sketch of a contemplative face on a white background.

Tracey Emin

Me - May 2019, 2020

Editie / Print

Lithografie

GBP 7,000 - 10,000

Tracey Emin's I Couldn't Tell Anyone I Loved You, 2020, black-and-white lithograph, loosely sketched female figure in introspective posture.

Tracey Emin

I Couldn't Tell Anyone I Loved You, 2020

Editie / Print

Lithografie

GBP 8,000 - 10,000

Tracey Emin's Just Waiting, 2022, lithograph with loose blue and black lines depicting a reclining figure in a contemplative posture.

Tracey Emin

Just Waiting, 2022

Editie / Print

Lithografie

GBP 8,000 - 10,000

Tracey Emin’s iPad Sketches - Nativity set of 5, 2013, red line drawings depicting simple, expressive figures on a neutral background.

Tracey Emin

Ipad Sketches - Nativity Set Of 5, 2013

Editie / Print

Giclée Print

GBP 3,350

Tracey Emin’s Tattoo, 2001, diptych with handwritten text and Polaroid-style images of tattoos, merging personal narrative with visual documentation.

Tracey Emin

Tatoo, 2001

Editie / Print

Offset Printen

GBP 4,700

Tracey Emin, Curled Up, lithograph showing a reclining female figure in blue strokes on warm white paper in a fetal position.

Tracey Emin

Curled Up, 2022

Editie / Print

Lithografie

USD 8,400

Tracey Emin's Hurt Heart, 2022, lithograph featuring expressive abstract figure with fluid, intertwined lines, conveying vulnerability and introspection.

Tracey Emin

Hurt Heart, 2022

Editie / Print

Lithografie

GBP 7,200

Tracey Emin, You Forgot Who You Are, minimalist etching of a solitary figure standing at a table with sparse line work.

Tracey Emin

You Forgot Who You Are, 2013

Editie / Print

Ets

GBP 3,500

Tracey Emin Grand Hotel I lithograph, minimalistic reclining figure in expressive, fluid lines on white background.

Tracey Emin

Grand Hotel I, 2016

Editie / Print

Lithografie

GBP 13,500

Tracey Emin I Loved My Innocence lithograph, minimalist reclining figure with fluid blue lines, conveying vulnerability and introspection.

Tracey Emin

I Loved My Innocence, 2019

Editie / Print

Lithografie

EUR 5,800

Tracey Emin’s Even Saying Nothing Is a Lie, 2022 lithograph, abstract face with dark expressive lines and handwritten text above, introspective mood.

Tracey Emin

Even Saying Nothing Is A Lie, 2022

Editie / Print

Lithografie

EUR 9,500

Tracey Emin’s Then I Wasn’t Alone Life Was Here, 2022 lithograph. Abstract female figure with darkened side of face, exploring introspection.

Tracey Emin

Then I Wasn’t Alone Life Was Here, 2022

Editie / Print

Lithografie

EUR 11,000

Tracey Emin’s Blue Madonna, 2020 lithograph. Abstract Madonna-like figure in expressive blue strokes, faint facial features, emotional depth.

Tracey Emin

Blue Madonna, 2020

Editie / Print

Lithografie

EUR 18,000

Tracey Emin’s The Wedding, 2019 bronze sculpture with abstract, rough-textured form suggesting two merging figures.

Tracey Emin

The Wedding, 2019

Sculptuur / Object

Brons

Momenteel Niet Beschikbaar

Tracey Emin, My Heart Is With You Always, embroidered napkin in blue and pink thread showing a heart with hand-stitched text.

Tracey Emin

Tracey Emin, My Heart Is With You Always - Embroidered Napkin (Blue/Pink), 2015

Editie / Print

Gemengde Techniek.

Momenteel Niet Beschikbaar

Tracey Emin's Pregnant etching of a nude kneeling figure in minimal line drawing, expressing vulnerability and introspection.

Tracey Emin

Pregnant, 2011

Editie / Print

Gemengde Techniek.

Momenteel Niet Beschikbaar

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Wat is Readymade?
Artwork by Man Ray

Wat is Readymade?

Readymade is de term die door de Franse kunstenaar Marcel Duchamp werd bedacht om kunstwerken te beschrijven die zijn gemaakt van gefabriceerde objecten. Duchamp koos alledaagse, functionele voorwerpen die volgens hem visuele onverschilligheid hadden en veranderde ze in kunst door ze te selecteren en in een nieuwe context te presenteren. Dit concept daagde traditionele opvattingen over kunst uit en blijft kunstenaars beïnvloeden die vergelijkbare benaderingen volgen.

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