Details
Artist
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Original screenprint in colors - Signed in pencil, and numbered - unframed (Lembark S21.) // Sam Francis's For the Blue Sons of the Air is a vibrant screen-print that showcases the artist's affinity for color and dynamic compositions. This limited edition print, created in 1990, features a swirling arrangement of greens, blues, and reds on a white background, creating a sense of movement and energy. The abstract forms appear to float and interact across the canvas, evoking feelings of airiness and fluidity. Francis’s splashes and drips of color bring to mind both natural and cosmic elements, suggesting a mystical homage to the 'blue sons' or the ethereal qualities of air. The piece, signed and numbered in pencil, reflects Francis’s distinctive style of layered abstraction and emotive color work.
For the Blue Sons of the Air, 1990
form
Medium
Size
136.5 x 81.3 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original screenprint in colors - Signed in pencil, and numbered - unframed (Lembark S21.) // Sam Francis's For the Blue Sons of the Air is a vibrant screen-print that showcases the artist's affinity for color and dynamic compositions. This limited edition print, created in 1990, features a swirling arrangement of greens, blues, and reds on a white background, creating a sense of movement and energy. The abstract forms appear to float and interact across the canvas, evoking feelings of airiness and fluidity. Francis’s splashes and drips of color bring to mind both natural and cosmic elements, suggesting a mystical homage to the 'blue sons' or the ethereal qualities of air. The piece, signed and numbered in pencil, reflects Francis’s distinctive style of layered abstraction and emotive color work.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
