Details
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Screenprint in colors on off-white wove paper - Signed and numbered in pencil - Published by Leo Castelli Gallery, New York, for the Pasadena Art Museum - Printed by Aetna Silkscreen Products - Corlett 45 - - Please note that for delivery of this artwork inside the EU, there is an additional 19% VAT // Roy Lichtenstein’s Brushstrokes (1967) is a dynamic screen-print that embodies the artist's pop-art aesthetic and his exploration of comic-book style imagery. This work features bold, sweeping brushstrokes in vibrant colors—black, white, red, and yellow—set against a blue dot-patterned background, a signature technique Lichtenstein used to mimic the printing process of comic strips. The thick, exaggerated brushstrokes seem to convey movement and spontaneity, yet they are rendered with precise, mechanical lines, challenging the viewer’s expectations of what a brushstroke typically represents. By transforming such a common artistic gesture into a subject of its own, Lichtenstein elevates ordinary, often overlooked elements into striking visual statements. The work plays with the boundary between high art and popular culture, a central theme in Lichtenstein’s oeuvre.
Brushstrokes, 1967
form
Medium
Size
58.4 x 73.6 cm
- Inches
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Edition
Price
Details
Artist
Styles
Screenprint in colors on off-white wove paper - Signed and numbered in pencil - Published by Leo Castelli Gallery, New York, for the Pasadena Art Museum - Printed by Aetna Silkscreen Products - Corlett 45 - - Please note that for delivery of this artwork inside the EU, there is an additional 19% VAT // Roy Lichtenstein’s Brushstrokes (1967) is a dynamic screen-print that embodies the artist's pop-art aesthetic and his exploration of comic-book style imagery. This work features bold, sweeping brushstrokes in vibrant colors—black, white, red, and yellow—set against a blue dot-patterned background, a signature technique Lichtenstein used to mimic the printing process of comic strips. The thick, exaggerated brushstrokes seem to convey movement and spontaneity, yet they are rendered with precise, mechanical lines, challenging the viewer’s expectations of what a brushstroke typically represents. By transforming such a common artistic gesture into a subject of its own, Lichtenstein elevates ordinary, often overlooked elements into striking visual statements. The work plays with the boundary between high art and popular culture, a central theme in Lichtenstein’s oeuvre.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
