
Screenprint in colors on aluminum with C. M. Fabriano - 100/100 Cotone Paper.
'Industry and the Arts (I)' by Roy Lichtenstein is a screen-print from 1969, measuring 66 × 48.3 cm and hand-numbered from a limited edition. A diagonal axis splits the composition into two colliding worlds: the upper-left filled with blue industrial smokestacks, Ben-Day dot skies, and a cog wheel, the lower-right dense with classical architectural fragments, musical notation, and a flame rendered in Lichtenstein's signature flat yellow. The work sits at the centre of Lichtenstein's sustained project of treating commercial printing processes — particularly the Ben-Day dot and the hard graphic outline — as both subject and method. Drawing on his grounding in Pop Art's deliberate appropriation of mass-media aesthetics, he here applies that vocabulary not to comic strips or consumer goods but to the grand cultural opposition between industrial modernity and fine art tradition, staging it with the same deadpan confidence he brought to Mickey Mouse or romance comics.
Roy Lichtenstein (United States, 1923–1997) was a leading figure in the Pop Art movement, renowned for his comic strip-inspired paintings that parodied popular culture. His works, such as 'Whaam!' and 'Drowning Girl,' utilized bold colors and Ben-Day dots to mimic commercial printing techniques, challenging traditional art boundaries.
Industry and the Arts (I), 1969
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Screenprint in colors on aluminum with C. M. Fabriano - 100/100 Cotone Paper.
'Industry and the Arts (I)' by Roy Lichtenstein is a screen-print from 1969, measuring 66 × 48.3 cm and hand-numbered from a limited edition. A diagonal axis splits the composition into two colliding worlds: the upper-left filled with blue industrial smokestacks, Ben-Day dot skies, and a cog wheel, the lower-right dense with classical architectural fragments, musical notation, and a flame rendered in Lichtenstein's signature flat yellow. The work sits at the centre of Lichtenstein's sustained project of treating commercial printing processes — particularly the Ben-Day dot and the hard graphic outline — as both subject and method. Drawing on his grounding in Pop Art's deliberate appropriation of mass-media aesthetics, he here applies that vocabulary not to comic strips or consumer goods but to the grand cultural opposition between industrial modernity and fine art tradition, staging it with the same deadpan confidence he brought to Mickey Mouse or romance comics.
Roy Lichtenstein (United States, 1923–1997) was a leading figure in the Pop Art movement, renowned for his comic strip-inspired paintings that parodied popular culture. His works, such as 'Whaam!' and 'Drowning Girl,' utilized bold colors and Ben-Day dots to mimic commercial printing techniques, challenging traditional art boundaries.
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Industry and the Arts (II), 1969
Limited Edition Print
Screen-print
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Limited Edition Print
Etching and Aquatint
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Screen-print
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Roy Lichtenstein
Inaugural Print from the Inaugural Impressions portfolio, 1977
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Limited Edition Print
Etching and Aquatint
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What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.

Roy Lichtenstein
Industry and the Arts (I), 1969
66.04 x 48.26 cm






















































