Details
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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed and dated in pencil. - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Printed and published by Tyler Graphics Ltd., Bedford Village, New York Roy Lichtenstein’s Entablature V (1976) is a sophisticated screenprint with collage and embossing, exploring the visual language of classical architecture through a Pop Art lens. Using clean lines, Ben-Day dots, silver foil, and graphic ornamentation, Lichtenstein reinterprets architectural entablatures—horizontal elements found in classical buildings—as flat, abstract forms. The work is part of a series inspired by New York's neoclassical façades. This particular print, an artist's proof, exemplifies his playful yet formal approach to historical motifs, rendered in bold colors and textures. Printed and published by Tyler Graphics, it bears their blindstamp and is signed and dated in pencil.
Entablature V (Corlett 142), 1976
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74.1 x 114 cm
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Details
Artist
Styles
Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed and dated in pencil. - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Printed and published by Tyler Graphics Ltd., Bedford Village, New York Roy Lichtenstein’s Entablature V (1976) is a sophisticated screenprint with collage and embossing, exploring the visual language of classical architecture through a Pop Art lens. Using clean lines, Ben-Day dots, silver foil, and graphic ornamentation, Lichtenstein reinterprets architectural entablatures—horizontal elements found in classical buildings—as flat, abstract forms. The work is part of a series inspired by New York's neoclassical façades. This particular print, an artist's proof, exemplifies his playful yet formal approach to historical motifs, rendered in bold colors and textures. Printed and published by Tyler Graphics, it bears their blindstamp and is signed and dated in pencil.
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Roy Lichtenstein
Interior With Chair From The Leo Castelli 90th Birthday Portfolio, 1997
Limited Edition Print
Screen-print
USD 30,000 - 40,000
Roy Lichtenstein
Inaugural Print From The Inaugural Impressions Portfolio, 1977
Limited Edition Print
Screen-print
USD 25,000 - 35,000
Roy Lichtenstein
Nude On Beach, From The Surrealist Series, 1978
Limited Edition Print
Lithograph
USD 20,000 - 30,000
Roy Lichtenstein
Two Paintings, From The Paintings Series, 1984
Limited Edition Print
Mixed Media
USD 50,000 - 60,000
Roy Lichtenstein
Illustration For 'Une Fenêtre Ouverte Sur Chicago' (Corlett 271), 1992
Limited Edition Print
Etching And Aquatint
USD 13,250
Roy Lichtenstein
Industry And The Arts (II), 1969
Limited Edition Print
Screen-print
GBP 30,000 - 40,000
Roy Lichtenstein
Illustration For 'De Denver Au Montana, Depart 27 Mai 1972' (I), 1992
Limited Edition Print
Etching And Aquatint
USD 12,500
Roy Lichtenstein
Reflections On Minerva, 1990
Limited Edition Print
Mixed Media
USD 80,000 - 100,000
Roy Lichtenstein
Pistol (from Banner, Multiples Calendar, 1968
Limited Edition Print
Screen-print
USD 4,600
Roy Lichtenstein
De Denver Au Montana, Départ 27 Mai 1972 (II), 1991
Limited Edition Print
Etching And Aquatint
USD 12,500
Roy Lichtenstein
Liberté, From Mémoire De La Liberté, 1991
Limited Edition Print
Serigraph
EUR 19,750
Roy Lichtenstein
Sweet Dreams, Baby!, 1965
Limited Edition Print
Screen-print
Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
