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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IX (146) (1976) is a stunning combination of screen printing, lithography, collage, and embossing. This piece is part of Lichtenstein’s Entablature series, where he drew inspiration from architectural elements, particularly the ornamental features of classical architecture. The artwork features clean horizontal bands of patterns, lines, and decorative motifs in black, white, and deep blue. The intricate detailing within the central band showcases a baroque-inspired design with swirling patterns, while the outer strips remain minimalistic, emphasizing Lichtenstein's interest in juxtaposing ornate and simplistic elements. The use of embossing adds texture and depth to the work, creating a sense of dimensionality and visual intrigue. This piece reflects Lichtenstein’s ability to blend traditional influences with his modern, pop-art approach, exploring the intersection between high art and commercial imagery.
Entablature IX (146), 1976
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74.1 x 114 cm
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Details
Artist
Styles
Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IX (146) (1976) is a stunning combination of screen printing, lithography, collage, and embossing. This piece is part of Lichtenstein’s Entablature series, where he drew inspiration from architectural elements, particularly the ornamental features of classical architecture. The artwork features clean horizontal bands of patterns, lines, and decorative motifs in black, white, and deep blue. The intricate detailing within the central band showcases a baroque-inspired design with swirling patterns, while the outer strips remain minimalistic, emphasizing Lichtenstein's interest in juxtaposing ornate and simplistic elements. The use of embossing adds texture and depth to the work, creating a sense of dimensionality and visual intrigue. This piece reflects Lichtenstein’s ability to blend traditional influences with his modern, pop-art approach, exploring the intersection between high art and commercial imagery.
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Limited Edition Print
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Screen-print
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Currently Not Available
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
