Sam Francis

Untitled, 1984

106.7 X 73 inch

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Entablature V (142)

Roy Lichtenstein’s Entablature IX (146), mixed media, 1976. Horizontal black, white, and blue decorative bands with baroque patterns and minimalistic stripes.
Roy Lichtenstein’s Entablature IX (146), mixed media, 1976. Horizontal black, white, and blue decorative bands with baroque patterns and minimalistic stripes.
Roy Lichtenstein’s Entablature IX (146), mixed media, 1976. Horizontal black, white, and blue decorative bands with baroque patterns and minimalistic stripes.

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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IX (146) (1976) is a stunning combination of screen printing, lithography, collage, and embossing. This piece is part of Lichtenstein’s Entablature series, where he drew inspiration from architectural elements, particularly the ornamental features of classical architecture. The artwork features clean horizontal bands of patterns, lines, and decorative motifs in black, white, and deep blue. The intricate detailing within the central band showcases a baroque-inspired design with swirling patterns, while the outer strips remain minimalistic, emphasizing Lichtenstein's interest in juxtaposing ornate and simplistic elements. The use of embossing adds texture and depth to the work, creating a sense of dimensionality and visual intrigue. This piece reflects Lichtenstein’s ability to blend traditional influences with his modern, pop-art approach, exploring the intersection between high art and commercial imagery.

Artwork Copyright © Roy Lichtenstein

Roy Lichtenstein

Entablature IX (146), 1976

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74.1 x 114   cm
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Details

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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IX (146) (1976) is a stunning combination of screen printing, lithography, collage, and embossing. This piece is part of Lichtenstein’s Entablature series, where he drew inspiration from architectural elements, particularly the ornamental features of classical architecture. The artwork features clean horizontal bands of patterns, lines, and decorative motifs in black, white, and deep blue. The intricate detailing within the central band showcases a baroque-inspired design with swirling patterns, while the outer strips remain minimalistic, emphasizing Lichtenstein's interest in juxtaposing ornate and simplistic elements. The use of embossing adds texture and depth to the work, creating a sense of dimensionality and visual intrigue. This piece reflects Lichtenstein’s ability to blend traditional influences with his modern, pop-art approach, exploring the intersection between high art and commercial imagery.

Artwork Copyright © Roy Lichtenstein
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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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Roy Lichtenstein Landscape 2 screenprint with moiré Rowlux overlay showing abstract black horizon dividing white sky and silvery water.

Roy Lichtenstein

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Limited Edition Print

Screen-print

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Limited Edition Print

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Roy Lichtenstein Untitled I soft-ground etching with abstract shield, spear, and braided rope in bold primary colors and graphic style.

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Untitled I, 1980

Limited Edition Print

Etching And Aquatint

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Private Listing

Roy Lichtenstein

Private Listing

Sculpture / Object

Mixed Media

Request Info

Private Listing

Roy Lichtenstein

Private Listing

Limited Edition Print

Screen-print

Request Info

Roy Lichtenstein Pyramids, 1969 screenprint, bold black outlines and yellow background with geometric pyramid forms.

Roy Lichtenstein

Pyramids, 1969

Limited Edition Print

Screen-print

USD 17,500

Roy Lichtenstein Two Apples, 1983 woodcut, bold black outlines and dynamic color fields in red, yellow, green, and blue.

Roy Lichtenstein

Two Apples, 1983

Limited Edition Print

Woodcut

USD 14,850

Roy LICHTENSTEIN | Reflections on Minerva | Mixed Media available for sale on composition gallery

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Reflections On Minerva, 1990

Limited Edition Print

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USD 80,000 - 100,000

Roy Lichtenstein's Foot and Hand, 1964, offset lithograph; bold foot pressing on hand with comic-style lines and dots, signed and numbered.

Roy Lichtenstein

Foot And Hand, 1964

Limited Edition Print

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USD 31,000

Roy Lichtenstein's Composition III, 1996, screenprint; colorful wavy musical staves with notes in pop-art style, signed and numbered.

Roy Lichtenstein

Composition III, 1996

Limited Edition Print

Screen-print

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Roy Lichtenstein's Seascape (I), 1964, screenprint on Rowlux; white and blue dots form a horizon-like effect, signed and numbered.

Roy Lichtenstein

Seascape (I), 1964

Limited Edition Print

Screen-print

USD 11,000

Roy Lichtenstein's Pistol from Banner, Multiples Calendar, 1968 screen-print showing a revolver on a red background

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Limited Edition Print

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USD 4,600

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Limited Edition Print

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Inquire For Price

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Roy Lichtenstein

Mirror #9, 1972

Limited Edition Print

Mixed Media

Inquire For Price

Roy Lichtenstein’s Apple and Lemon (from Seven Apple Woodcuts), woodcut print, shows bold, abstract brushstrokes in a circular frame with green, red, and yellow lines.

Roy Lichtenstein

Apple And Lemon (from Seven Apple Woodcuts), 1983

Limited Edition Print

Woodcut

USD 14,850

Roy Lichtenstein's Haystack #6 lithograph, red and black Ben-Day dot pattern forming stylized haystacks on Rives BFK paper.

Roy Lichtenstein

Haystack #6, 1969

Limited Edition Print

Lithograph

USD 19,500

Roy Lichtenstein's Two Paintings: Dagwood print, bold colors, comic strip style with fragmented panels and dynamic forms.

Roy Lichtenstein

Two Paintings: Dagwood From The Paintings Series, 1984

Limited Edition Print

Mixed Media

USD 80,000 - 100,000

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What is pop-art?
Artwork by Andy Warhol

What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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