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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IV (141) (1976) is a visually striking work from his Entablature series, blending screen printing, lithography, collage, and embossing to evoke classical architectural forms in a pop-art context. This piece features a horizontal composition of clean lines and stylized ornamental motifs. A large beige panel dominates the center, bordered by decorative bands. The top of the piece displays a simplified wave pattern in black and white, while the bottom features an embossed relief of wave-like scrolls in white, set against bold navy blue and white stripes. The inclusion of a yellow dashed line between sections adds a touch of modernity and graphic intensity. Lichtenstein masterfully contrasts the flatness of pop art with the depth created by embossing, achieving a layered effect that references classical entablatures while also playing with abstraction and modern design. This artwork is a fusion of historical architecture and contemporary artistic techniques, making it both timeless and innovative.
Entablature IV (141), 1976
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74.1 x 114 cm
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Details
Artist
Styles
Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature IV (141) (1976) is a visually striking work from his Entablature series, blending screen printing, lithography, collage, and embossing to evoke classical architectural forms in a pop-art context. This piece features a horizontal composition of clean lines and stylized ornamental motifs. A large beige panel dominates the center, bordered by decorative bands. The top of the piece displays a simplified wave pattern in black and white, while the bottom features an embossed relief of wave-like scrolls in white, set against bold navy blue and white stripes. The inclusion of a yellow dashed line between sections adds a touch of modernity and graphic intensity. Lichtenstein masterfully contrasts the flatness of pop art with the depth created by embossing, achieving a layered effect that references classical entablatures while also playing with abstraction and modern design. This artwork is a fusion of historical architecture and contemporary artistic techniques, making it both timeless and innovative.
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Screen-print
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Currently Not Available
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
