Sam Francis

Untitled, 1984

106.7 X 73 inch

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Bradley (Anagram)

Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

Offset lithograph in colors with collage on wove paper. Signed in pencil, dated and numbered. Published by Multiples, Inc., with the blinstamp of the printer, Styria Studio, New York. Robert Rauschenberg’s People Have Enough Trouble Without Being Intimidated by an Artichoke (1979) is an offset lithograph with collage that reflects his signature approach to layering imagery and meaning. In this work, photographs, textures, and fragments from art history and popular culture are assembled in a loosely structured grid. The title, characteristically ironic and playful, hints at Rauschenberg’s belief that art should be accessible and unpretentious. The piece blends vibrant yet faded colors with both photographic and illustrative elements, encouraging open-ended interpretation. Created during a period when Rauschenberg explored the boundaries of printmaking, this work exemplifies his use of everyday imagery to evoke complexity and connection.

Artwork Copyright © Robert Rauschenberg

People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979

form

Medium

Edition

Offset lithograph in colors with collage on wove paper. Signed in pencil, dated and numbered. Published by Multiples, Inc., with the blinstamp of the printer, Styria Studio, New York. Robert Rauschenberg’s People Have Enough Trouble Without Being Intimidated by an Artichoke (1979) is an offset lithograph with collage that reflects his signature approach to layering imagery and meaning. In this work, photographs, textures, and fragments from art history and popular culture are assembled in a loosely structured grid. The title, characteristically ironic and playful, hints at Rauschenberg’s belief that art should be accessible and unpretentious. The piece blends vibrant yet faded colors with both photographic and illustrative elements, encouraging open-ended interpretation. Created during a period when Rauschenberg explored the boundaries of printmaking, this work exemplifies his use of everyday imagery to evoke complexity and connection.

Artwork Copyright © Robert Rauschenberg

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In Transit (Goddess Depot), 2001

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One More And We Will Be More Than Halfway There, From Suite Of Nine Prints, 1979

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Robert Rauschenberg

Publicon Station I, 1978

Sculpture / Object

Mixed Media

Inquire For Price

Robert Rauschenberg

People Have Enough Trouble Without Being Intimidated By An Artichoke, 1979

Limited Edition Print

Collage

Inquire For Price

Robert Rauschenberg

Private Listing

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Mixed Media

Request Info

Robert Rauschenberg

Bradley (Anagram), 1995

Limited Edition Print

Mixed Media

Inquire For Price

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Pre-Morocco, 1983

Limited Edition Print

Lithograph

Inquire For Price

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Page IV, 1974

Limited Edition Print

Mixed Media

USD 1,250

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Tribute 21: Art, 1994

Limited Edition Print

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USD 4,950

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Tibetan Keys (Rectangle), 1987

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USD 14,250

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Tribute 21: Labor, 1994

Limited Edition Print

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Tribute 21: Cinema, 1994

Limited Edition Print

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USD 4,950

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Relic (Speculations), 1997

Limited Edition Print

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USD 11,900

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Daydream (Speculations), 1997

Limited Edition Print

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What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

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