Sam Francis

Untitled, 1984

106.7 X 73 inch

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Bradley (Anagram)

Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

Details

Kunstenaar

Stijlen

Offsetlithografie in kleuren met collage op velijnpapier. Gesigneerd in potlood, gedateerd en genummerd. Uitgegeven door Multiples, Inc., met het blindstempel van de drukker, Styria Studio, New York. Robert Rauschenbergs People Have Enough Trouble Without Being Intimidated by an Artichoke (1979) is een offsetlithografie met collage die zijn kenmerkende manier van gelaagde beeldtaal en betekenis laat zien. De compositie bestaat uit foto’s, texturen en fragmenten uit kunstgeschiedenis en populaire cultuur, samengebracht in een losse rasterstructuur. De ironische titel weerspiegelt Rauschenbergs overtuiging dat kunst toegankelijk en ongeforceerd moet zijn. De mix van vervaagde kleuren, fotografische en illustratieve elementen nodigt uit tot vrije interpretatie. Het werk is exemplarisch voor zijn experimentele benadering van grafiek in deze periode.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

People Have Enough Trouble Without Being Intimidated by an Artichoke, 1979

kunstvorm

Medium

Afmeting

77.5 x 58.4   cm
  • Inches
  • Centimeters

Editie

Prijs

Details

Kunstenaar

Stijlen

Offsetlithografie in kleuren met collage op velijnpapier. Gesigneerd in potlood, gedateerd en genummerd. Uitgegeven door Multiples, Inc., met het blindstempel van de drukker, Styria Studio, New York. Robert Rauschenbergs People Have Enough Trouble Without Being Intimidated by an Artichoke (1979) is een offsetlithografie met collage die zijn kenmerkende manier van gelaagde beeldtaal en betekenis laat zien. De compositie bestaat uit foto’s, texturen en fragmenten uit kunstgeschiedenis en populaire cultuur, samengebracht in een losse rasterstructuur. De ironische titel weerspiegelt Rauschenbergs overtuiging dat kunst toegankelijk en ongeforceerd moet zijn. De mix van vervaagde kleuren, fotografische en illustratieve elementen nodigt uit tot vrije interpretatie. Het werk is exemplarisch voor zijn experimentele benadering van grafiek in deze periode.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg lithograph with collage of layered photos, abstract textures, and printed imagery in soft tones and muted colors.

Robert Rauschenberg

People Have Enough Trouble Without Being Intimidated By An Artichoke, 1979

Editie / Print

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Contacteer Ons

Private aanbieding

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Editie / Print

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Gemengde Techniek.

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Editie / Print

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Editie / Print

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Editie / Print

Zeefdruk

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Editie / Print

Gemengde Techniek.

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Editie / Print

Gemengde Techniek.

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Editie / Print

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USD 10,800

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Private Listing

Editie / Print

Monotype

vraag info aan

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Editie / Print

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Editie / Print

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Editie / Print

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Sculptuur / Object

Gemengde Techniek.

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Editie / Print

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Editie / Print

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Zeefdruk

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Editie / Print

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Editie / Print

Zeefdruk

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Editie / Print

Zeefdruk

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Editie / Print

Gemengde Techniek.

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Editie / Print

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Editie / Print

Gemengde Techniek.

USD 5,000

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People Have Enough Trouble..., 1979

Editie / Print

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USD 5,000

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Editie / Print

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USD 2,650

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Robert Rauschenberg

Opal Gospel Panel V, 1971

Editie / Print

Zeefdruk

Contacteer Ons

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Robert Rauschenberg

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Editie / Print

Gemengde Techniek.

Momenteel Niet Beschikbaar

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Editie / Print

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Momenteel Niet Beschikbaar

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Wat is het Laat-modernisme?
Artwork by Roy Lichtenstein

Wat is het Laat-modernisme?

Late Modernisme verwijst naar de voortzetting en evolutie van modernistische principes in kunst, architectuur en literatuur van het midden van de 20e eeuw tot in de late 20e eeuw. Deze beweging blijft zich richten op vorm, abstractie en de afwijzing van traditionele stijlen, maar omvat vaak meer complexiteit en ambiguïteit vergeleken met het vroege modernisme. Late Modernisme verkent thema's als vervreemding, identiteit en de fragmentatie van de werkelijkheid, en weerspiegelt de sociale en culturele verschuivingen van de naoorlogse periode. Dit is te zien in het werk van architecten zoals Louis Kahn en kunstenaars zoals Francis Bacon, die de grenzen van het modernisme verlegden terwijl ze reageerden op de veranderende wereld om hen heen.

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