Sam Francis

Untitled, 1984

106.7 X 73 inch

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Primal Sign I

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Nocturne II (from Octavio Paz suit)

Robert Motherwell's The Paris Review screen print featuring a large irregular white shape on a blue background with the magazine's logo.

Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.

Artwork Copyright © Robert Motherwell

The Paris Review, 1965

form

Medium

Edition

Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.

Artwork Copyright © Robert Motherwell

Robert Motherwell

Three Figures, 1989

Limited Edition Print

Lithograph

USD 30,000 - 40,000

Robert Motherwell

Untitled 23, 1988

Limited Edition Print

Lithograph

USD 1,390

Robert Motherwell

Calligraphy I, 1989

Limited Edition Print

Lithograph

USD 17,700

Robert Motherwell

Red Wind, 1987

Limited Edition Print

Lithograph

USD 5,400

Robert Motherwell

Soot-Black Stone, #5, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #4, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #3, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Soot-Black Stone, #2, 1975

Limited Edition Print

Lithograph

USD 1,800

Robert Motherwell

Newport Opera, 1979

Limited Edition Print

Offset Print

USD 2,250

Robert Motherwell

Untitled (Gesture #6), 1976

Limited Edition Print

Etching

USD 11,900

Robert Motherwell

Primal Sign I, 1979-1980

Limited Edition Print

Etching And Aquatint

Inquire For Price

Robert Motherwell

The Paris Review, 1965

Limited Edition Print

Screen-print

USD 2,350

Robert Motherwell

Nocturne II (from Octavio Paz Suit), 1988

Limited Edition Print

Lithograph

USD 2,990

Robert Motherwell

Wind (from Octavio Paz Suite), 1988

Limited Edition Print

Lithograph

USD 2,990

Robert Motherwell

Untitled B423 (from Octavio Paz Suit), 1988

Limited Edition Print

Lithograph

USD 2,990

Robert Motherwell

Harvest With Two White Stripes, 1973

Limited Edition Print

Lithograph

Inquire For Price

Robert Motherwell

No. 12 (from The Basque Suite), 1971

Limited Edition Print

Screen-print

Currently Not Available

Robert Motherwell

Mask (for Ingmar Bergman), 1989

Limited Edition Print

Lithograph

Currently Not Available

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What is lyrical abstraction ?

Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.

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