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Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
The Paris Review, 1965
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Medium
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101.6 x 66 cm
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Details
Artist
Styles
Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
