
Details
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Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
The Paris Review, 1965
form
Medium
Size
101.6 x 66 cm
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Details
Artist
Styles
Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
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What is automatism?
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.