Details
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Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
The Paris Review, 1965
form
Medium
Size
101.6 x 66 cm
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Details
Artist
Styles
Original Color Screenprint on Beckett Cartridge paper - Published by The Paris Review - Hand signed and numbered in pencil - Enberg/Banach 17 // The Paris Review by Robert Motherwell is a limited edition screen print from 1965, measuring 101.6 x 66 cm. This print, created for the literary magazine The Paris Review, showcases Motherwell’s minimalist and abstract style. A large, irregular white shape dominates the composition against a soft blue background, creating a sense of negative space and balance. The print is punctuated by the inclusion of The Paris Review logo in the lower portion, adding a layer of textual engagement to the visual abstraction. Motherwell's work reflects a deep engagement with form and space, inviting viewers to contemplate the simplicity and depth of his artistic expression. Hand-signed and numbered in pencil, this piece exemplifies his mastery of color and abstraction.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
