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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 Untitled (No. 12) from The Basque Suite (1971) by Robert Motherwell is a screenprint that reflects the artist’s powerful abstract expressionist vocabulary. Featuring a bold black form that seems to stride across the lower composition, the work is partially framed by a vivid orange block. This stark contrast underscores Motherwell’s sensitivity to color, gesture, and spatial tension. The print, part of a series published by Marlborough Graphics, echoes the artist’s response to political strife and cultural memory—especially referencing the Spanish Civil War and Basque resistance—through abstract language.
No. 12 (from The Basque Suite), 1971
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57.2 x 44.5 cm
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Screenprint on J.B. Green paper - Published by Marlborough Graphics, Inc., New York - Initialed and numbered in pencil - Literature: Belknap 58 Untitled (No. 12) from The Basque Suite (1971) by Robert Motherwell is a screenprint that reflects the artist’s powerful abstract expressionist vocabulary. Featuring a bold black form that seems to stride across the lower composition, the work is partially framed by a vivid orange block. This stark contrast underscores Motherwell’s sensitivity to color, gesture, and spatial tension. The print, part of a series published by Marlborough Graphics, echoes the artist’s response to political strife and cultural memory—especially referencing the Spanish Civil War and Basque resistance—through abstract language.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
