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Lithograph in colours on Arches paper. // Alechinsky's spiraling red form dances across a luminous yellow ground, accompanied by fluid calligraphic marks that evoke East Asian brushwork. This work embodies the CoBrA movement's gestural abstraction—spontaneous, energetic, and deeply connected to cultural exchange with the East. The dynamic swirl suggests movement, growth, and the artist's hand, while the luminous colour field creates a sense of spiritual elevation, merging Western modernism with Eastern philosophical sensibility.
Seoul, 1988
form
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76 x 56 cm
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Details
Artist
Styles
Lithograph in colours on Arches paper. // Alechinsky's spiraling red form dances across a luminous yellow ground, accompanied by fluid calligraphic marks that evoke East Asian brushwork. This work embodies the CoBrA movement's gestural abstraction—spontaneous, energetic, and deeply connected to cultural exchange with the East. The dynamic swirl suggests movement, growth, and the artist's hand, while the luminous colour field creates a sense of spiritual elevation, merging Western modernism with Eastern philosophical sensibility.
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Pierre Alechinsky
Vacillations (with Watercolor), 1979
Limited Edition Print
Lithograph
Currently Not Available
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
