Sam Francis

Untitled, 1984

106.7 X 73 inch

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Sans titre

Pierre ALECHINSKY | Seoul | Lithograph, 1988 — available on Composition Gallery

Lithograph in colours on Arches paper. // Alechinsky's spiraling red form dances across a luminous yellow ground, accompanied by fluid calligraphic marks that evoke East Asian brushwork. This work embodies the CoBrA movement's gestural abstraction—spontaneous, energetic, and deeply connected to cultural exchange with the East. The dynamic swirl suggests movement, growth, and the artist's hand, while the luminous colour field creates a sense of spiritual elevation, merging Western modernism with Eastern philosophical sensibility.

Artwork Copyright © Pierre Alechinsky

Seoul, 1988

form

Medium

Edition

Lithograph in colours on Arches paper. // Alechinsky's spiraling red form dances across a luminous yellow ground, accompanied by fluid calligraphic marks that evoke East Asian brushwork. This work embodies the CoBrA movement's gestural abstraction—spontaneous, energetic, and deeply connected to cultural exchange with the East. The dynamic swirl suggests movement, growth, and the artist's hand, while the luminous colour field creates a sense of spiritual elevation, merging Western modernism with Eastern philosophical sensibility.

Artwork Copyright © Pierre Alechinsky

Pierre Alechinsky

Tête Bêche, 1987

Drawing / Watercolor

Ink

EUR 7,200

Pierre Alechinsky

Seoul, 1988

Limited Edition Print

Lithograph

EUR 2,000

Pierre Alechinsky

Sans Titre, Unknown

Limited Edition Print

Lithograph

EUR 2,500

Pierre Alechinsky

Vol Augural, 1990

Limited Edition Print

Etching

EUR 22,000

Pierre Alechinsky

Vacillations (with Watercolor), 1979

Limited Edition Print

Lithograph

Currently Not Available

Pierre Alechinsky

Ligne BVV, 1983

Limited Edition Print

Lithograph

Currently Not Available

Pierre Alechinsky

Reserve Pour L'hiver, 1988

Limited Edition Print

Etching

Currently Not Available

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What is the CoBrA movement?

CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.

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