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Color screen print, signed by the artist. - Printed by Siebdrucktechnik, Essen. - Published by Edition Merian, Krefeld. Literature: Galerie Rottluff (ed.): Otto Piene - Werkverzeichnis der Druckgrafik 1960-76, Karlsruhe 1977, cat. rais. no. 149-158. // In Addis Abeba X a dark, smouldering core blazes with a halo of fiery red, suspended against a field of electric cobalt blue. Sweeping gestural strokes of red and blue fan outward below like petals or wings, the screenprint pulsing with the energy of a sun caught mid-bloom. Otto Piene, co-founder of the ZERO movement, here translates his research into light and fire into vibrating colour. Signed by the artist and printed by Siebdrucktechnik, Essen, this large 1972 sheet is among the most chromatically charged plates of the celebrated Addis Abeba portfolio.
Addis Abeba X, 1972
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Medium
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146 x 96 cm
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Details
Artist
Styles
Color screen print, signed by the artist. - Printed by Siebdrucktechnik, Essen. - Published by Edition Merian, Krefeld. Literature: Galerie Rottluff (ed.): Otto Piene - Werkverzeichnis der Druckgrafik 1960-76, Karlsruhe 1977, cat. rais. no. 149-158. // In Addis Abeba X a dark, smouldering core blazes with a halo of fiery red, suspended against a field of electric cobalt blue. Sweeping gestural strokes of red and blue fan outward below like petals or wings, the screenprint pulsing with the energy of a sun caught mid-bloom. Otto Piene, co-founder of the ZERO movement, here translates his research into light and fire into vibrating colour. Signed by the artist and printed by Siebdrucktechnik, Essen, this large 1972 sheet is among the most chromatically charged plates of the celebrated Addis Abeba portfolio.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
