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Screen print, signed by hand // Seuloeil (white) by Otto Piene, a limited-edition screen print from 1991, captures a surreal, abstracted eye that dominates the composition with its haunting presence. Rendered in stark black and white, the print emphasizes contrast, with a central circular form resembling a pupil surrounded by a darkened area, suggesting an intense gaze. Above the eye, a thick, curved stroke arcs gracefully, evoking an eyelid or eyebrow, while soft shading adds depth. Piene’s minimalist yet striking design invites contemplation on themes of perception, observation, and the mysterious nature of vision, emphasizing the silent power of a single eye.
Seuloeil (white), 1991
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Medium
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100 x 70 cm
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Details
Artist
Styles
Screen print, signed by hand // Seuloeil (white) by Otto Piene, a limited-edition screen print from 1991, captures a surreal, abstracted eye that dominates the composition with its haunting presence. Rendered in stark black and white, the print emphasizes contrast, with a central circular form resembling a pupil surrounded by a darkened area, suggesting an intense gaze. Above the eye, a thick, curved stroke arcs gracefully, evoking an eyelid or eyebrow, while soft shading adds depth. Piene’s minimalist yet striking design invites contemplation on themes of perception, observation, and the mysterious nature of vision, emphasizing the silent power of a single eye.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
