Details
Artist
Styles
Woodcut on Rives BFK - Hand signed and numbered by the artist, recto. // Nicolas Party's Trees (2020) is a limited edition woodcut print that showcases his affinity for nature and the stylization of natural forms. The composition features a group of tall, slender trees silhouetted against a dark background, with a full moon hovering above. The intricate patterns within the tree trunks and foliage give the piece a textured, almost surreal quality, emphasizing Party’s skill in blending naturalistic and fantastical elements. The black and white palette creates a striking contrast, enhancing the ethereal and dreamlike atmosphere of the scene. Printed on Rives BFK paper, the woodcut is hand-signed and numbered by the artist, making it part of an exclusive edition of 100. Trees reflects Party's exploration of landscapes and his unique approach to transforming familiar subjects into captivating, almost abstract forms.
Trees, 2020
form
Medium
Size
38.1 x 30.5 cm
- Inches
- Centimeters
Edition
Price
- USD
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Details
Artist
Styles
Woodcut on Rives BFK - Hand signed and numbered by the artist, recto. // Nicolas Party's Trees (2020) is a limited edition woodcut print that showcases his affinity for nature and the stylization of natural forms. The composition features a group of tall, slender trees silhouetted against a dark background, with a full moon hovering above. The intricate patterns within the tree trunks and foliage give the piece a textured, almost surreal quality, emphasizing Party’s skill in blending naturalistic and fantastical elements. The black and white palette creates a striking contrast, enhancing the ethereal and dreamlike atmosphere of the scene. Printed on Rives BFK paper, the woodcut is hand-signed and numbered by the artist, making it part of an exclusive edition of 100. Trees reflects Party's exploration of landscapes and his unique approach to transforming familiar subjects into captivating, almost abstract forms.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
