
Details
Artist
Styles
Screen print in 12 colours on archival museum board - Signed and numbered in pencil, verso // Julian Opie's Dance Synced 5 (2024) captures the spirit of synchronized motion through four stylized, faceless figures set against a cool blue background. Each figure is portrayed in a unique, rhythmic pose, dressed in bright, contrasting outfits—teal with yellow, blue with red, mustard with pink, and brown with blue—adding vibrancy and individuality to the composition. The thick black outlines and minimalistic forms are hallmarks of Opie’s style, distilling the essence of dance into simple, universal gestures. This 12-color screen print on archival museum board, signed and numbered on the verso, is part of a limited edition of 45, with an additional 5 artist proofs. Dance Synced 5 is a testament to Opie’s ability to evoke movement and expression through clean, bold lines and a playful use of color.
Dance Synced 5, 2024
form
Medium
Size
95.9 x 151.1 cm
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Edition
Price
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Details
Artist
Styles
Screen print in 12 colours on archival museum board - Signed and numbered in pencil, verso // Julian Opie's Dance Synced 5 (2024) captures the spirit of synchronized motion through four stylized, faceless figures set against a cool blue background. Each figure is portrayed in a unique, rhythmic pose, dressed in bright, contrasting outfits—teal with yellow, blue with red, mustard with pink, and brown with blue—adding vibrancy and individuality to the composition. The thick black outlines and minimalistic forms are hallmarks of Opie’s style, distilling the essence of dance into simple, universal gestures. This 12-color screen print on archival museum board, signed and numbered on the verso, is part of a limited edition of 45, with an additional 5 artist proofs. Dance Synced 5 is a testament to Opie’s ability to evoke movement and expression through clean, bold lines and a playful use of color.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.