Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (Angular Face)

Joe BRADLEY | Untitled | Etching, 2018 — available on Composition Gallery

Soft ground etching on 175 gsm Zerkall buff laid paper. Hand-signed by artist, Signed in the bottom right corner. Publisher: Counter Editions. // On 175gsm Zerkall buff laid paper, Bradley builds a large hieratic profile head from stacked rectangular fields of charcoal soft-ground etching: a strong dark brow, a long sloped nose, a heavy block jaw — half cubist glyph, half Easter Island stone. The image hangs between abstraction and figuration in his characteristic deadpan voice. Soft ground etching, hand-signed in the bottom right corner, published by Counter Editions. To acquire a Bradley etching is to invest in one of the most consistently celebrated American painters working today — a confident, characterful work to collect.

Artwork Copyright © Joe Bradley

Untitled, 2018

form

Medium

Edition

Soft ground etching on 175 gsm Zerkall buff laid paper. Hand-signed by artist, Signed in the bottom right corner. Publisher: Counter Editions. // On 175gsm Zerkall buff laid paper, Bradley builds a large hieratic profile head from stacked rectangular fields of charcoal soft-ground etching: a strong dark brow, a long sloped nose, a heavy block jaw — half cubist glyph, half Easter Island stone. The image hangs between abstraction and figuration in his characteristic deadpan voice. Soft ground etching, hand-signed in the bottom right corner, published by Counter Editions. To acquire a Bradley etching is to invest in one of the most consistently celebrated American painters working today — a confident, characterful work to collect.

Artwork Copyright © Joe Bradley

Joe Bradley

Untitled, 2018

Limited Edition Print

Etching

GBP 680

Joe Bradley

Untitled (Angular Face), 2014

Limited Edition Print

Ink

USD 1,300

Joe Bradley

Family, 2017

Limited Edition Print

Silkscreen

Currently Not Available

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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