Sam Francis

Untitled, 1984

106.7 X 73 inch

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I Thought We Had More Time

Idris KHAN | Long Live Love | Collage, 2020 — available on Composition Gallery

Archival Inkjet with Varnish Screenprint overlay, Collage. Hand signed and numbered by the artist. // This evocative work by Idris Khan layers archival inkjet printing with varnish screenprint overlay and collage in his characteristic approach to language, memory, and accumulated meaning. Dense, overlapping passages of text dissolve into a rich, atmospheric surface where legibility gives way to pure visual texture — a meditation on the weight of words and the impossibility of grasping them all at once. Influenced by Sufi poetry and the repetitive structures of music, Khan’s practice transforms printed language into a form of visual contemplation. Hand-signed and numbered from an edition of one hundred.

Artwork Copyright © Idris Khan

Long Live Love, 2020

form

Medium

Edition

Archival Inkjet with Varnish Screenprint overlay, Collage. Hand signed and numbered by the artist. // This evocative work by Idris Khan layers archival inkjet printing with varnish screenprint overlay and collage in his characteristic approach to language, memory, and accumulated meaning. Dense, overlapping passages of text dissolve into a rich, atmospheric surface where legibility gives way to pure visual texture — a meditation on the weight of words and the impossibility of grasping them all at once. Influenced by Sufi poetry and the repetitive structures of music, Khan’s practice transforms printed language into a form of visual contemplation. Hand-signed and numbered from an edition of one hundred.

Artwork Copyright © Idris Khan

Idris Khan

Long Live Love, 2020

Limited Edition Print

Collage

GBP 2,500

Idris Khan

I Thought We Had More Time, 2022

Limited Edition Print

Archival Print

GBP 1,850

Idris Khan

Death Of Painting, 2014

Limited Edition Print

Lithograph

GBP 3,000

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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