Sam Francis

Untitled, 1984

106.7 X 73 inch

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Günther Uecker Mappenwerk Regen limited edition etching with handwritten German text in minimalist script on white background.

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// Mappenwerk Regen by Günther Uecker is a limited-edition etching created in 1992, capturing the essence of rain through minimalist and poetic typography. In this piece, Uecker presents a series of German words handwritten in a simple, childlike script, with phrases like Regen trommelnd (Rain drumming) and zärtlich weinend (tenderly weeping). The unadorned, raw handwriting amplifies the emotional resonance of the words, evoking the soft, rhythmic sound of raindrops and a gentle melancholy. Known for his tactile and sensory-driven works, Uecker here distills an experience of rain into language, allowing viewers to connect with its meditative quality. The etching measures 108 cm in height and 76 cm in width, making it a powerful yet understated exploration of nature and emotion.

Artwork Copyright © Gunther Uecker

Gunther Uecker

Mappenwerk Regen, 1992

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108 x 76   cm
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// Mappenwerk Regen by Günther Uecker is a limited-edition etching created in 1992, capturing the essence of rain through minimalist and poetic typography. In this piece, Uecker presents a series of German words handwritten in a simple, childlike script, with phrases like Regen trommelnd (Rain drumming) and zärtlich weinend (tenderly weeping). The unadorned, raw handwriting amplifies the emotional resonance of the words, evoking the soft, rhythmic sound of raindrops and a gentle melancholy. Known for his tactile and sensory-driven works, Uecker here distills an experience of rain into language, allowing viewers to connect with its meditative quality. The etching measures 108 cm in height and 76 cm in width, making it a powerful yet understated exploration of nature and emotion.

Artwork Copyright © Gunther Uecker
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Günther Uecker’s Baum. Kunstpranger, mixed media sculpture, 1984. Tree slice embedded with nails, accompanied by a charcoal drawing on a double sheet.

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Günther Uecker’s Untitled (nails), embossed print, 1992. Embossed nails arranged randomly on handmade paper, hand-painted with acrylic paint.

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Untitled (nails), 1992

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Günther Uecker's Medea VII, etching; minimalist black lines and dots on a white background forming an elongated, shield-like shape.

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Medea VII, 1996

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Günther Uecker's Verletzungen-Verbindungen screen print with intersecting dark lines on chamois-colored paper, creating chaotic patterns.

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Limited Edition Print

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Günther Uecker, Hiob Seite 16, silkscreen, bold black brushstrokes creating chaotic and intense abstract composition.

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Günther Uecker, Hiob Seite 04, silkscreen, dynamic black brushstrokes on white background, suggesting abstract mountains or waves.

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Günther Uecker, Hiob Seite 25, silkscreen, chaotic black brushstrokes on white, intense composition symbolizing struggle.

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Hiob Seite 25

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Silkscreen

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Günther Uecker, Hiob Seite 36, silkscreen, chaotic black brushstrokes with streaks suggesting movement and tension, abstract composition.

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Günther Uecker's Ouroboros #12, terragraph with sand; circular ochre shape with textured, gestural strokes on canvas.

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Limited Edition Print

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Günther Uecker's Ouroboros #9, terragraph with sand on canvas; abstract circular sand pattern on a beige background.

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Ouroboros #9, 2018

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Günther Uecker's Ouroboros #7, sand on canvas; circular, swirling patterns symbolizing infinity on textured surface.

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Ouroboros #7, 2018

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Günther Uecker's Ouroboros #5, terragraph with sand; golden circular sand patterns on neutral canvas suggesting cycles and eternity.

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Ouroboros #5, 2018

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Günther Uecker's Ouroboros #3, terragraph with sand; abstract circular swirl in golden-brown, symbolizing infinity on canvas and wood.

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Ouroboros #3, 2018

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Günther Uecker Ouroboros natural sand screen print with textured sand in a large circular form, symbolizing life cycle, from 2018.

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Günther Uecker's Ouroboros #11 terragraph with sand on canvas showing swirling, earthy strokes symbolizing cyclical infinity.

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Ouroboros #11, 2018

Limited Edition Print

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EUR 8,000

Günther Uecker's Ouroboros #10 terragraph with sand on canvas depicting an earthy-toned, incomplete circular form symbolizing cycles.

Gunther Uecker

Ouroboros #10, 2018

Limited Edition Print

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What is the Zero Movement?
Artwork by Gunther Uecker

What is the Zero Movement?

ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.

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